Tremix of their 2010 album Metallic Spheres, can be traced back to the activities of Scottish systems here's an undeniable synchronicity at play knowing that The Orb and David Gilmour's Metallic Spheres In Colour, the administrator Gary McKinnon, who in 2002 was accused by the US government of "committing the biggest military hack of all time". In his defence, McKinnon pleaded harmless motives by claiming he was looking for information on UFOs. With McKinnon facing extradition, decades in jail and a potential $2m fine, Pink Floyd guitarist David Gilmour stepped up to the fundraising plate with the release of Chicago - Change The World, a cover of Graham Nash's 1971 single Chicago, which in turn was later remixed by The Orb and producer Martin 'Youth' Glover with the full participation of David Gilmour, to become Metallic Spheres. Now it's been given a whole new lease of life.
"It's a remix of a remix of a cover!" Youth says with a laugh, as he ponders the long road from the Nash cover to Metallic Spheres In Colour.
David Gilmour instigated the original 2010 album after he and Youth -best-known as the bassist with pioneering post-punk band Killing Joke - had been working on another project.
"David suggested this Gary McKinnon remix," Youth recalls, "and I just developed that into, 'Well, let's do some extra guitars,' and then you're in the same room working together.
You take it from there, really. I thought that was more interesting than just doing a straightforward remix." This wasn't the first time Youth had worked on such a project with an artist of such a huge global stature.
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Bu hikaye Prog dergisinin Issue 147 sayısından alınmıştır.
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Already a subscriber? Giriş Yap
JAKKO M JAKSZYK
King Crimson's vocalist and guitarist shares anecdotes from his revealing new autobiography, discusses his lost career as a footballer and reveals what he said when he met the former king of pop.
A Part & Yet Apart
Sheffield-based 80s proggers Haze have returned with a new studio album, The Water's Edge - their third since their 2013 comeback record, The Last Battle. Prog catches up with threequarters of the band to discuss Haze's DIY ethos, the curse of prog and playing to Cumbrian sheep farmers.
CONTROLLED AIRSPACE
He's about to embark on Dream Theater's 40th Anniversary Tour, but keyboard maestro Jordan Rudess has taken time out to discuss his soaring new solo album, Permission To Fly.
On The Wing
Birds, break-ups, big choruses and the Charlie Chaplin effect can all be found on In Murmuration, the ninth album from Finland's Von Hertzen Brothers. But as they embrace their power pop influences, have the Finns cast off their prog wizard cloaks once and for all? Mikko von Hertzen talks about the Seattle influence, songwriting secrets and sax solos.
Fourth Dimension
The stock of melodic Northumberland-based proggers Stuckfish has been rising since they formed six years ago. Their fourth studio album, Stuckfish IV, represents an important watershed in the band's musical evolution. Co-founders Adrian Fisher and Phil Stuckey tell Prog about the diverse influences that have helped to shape it.
Symphly The Best
In the 70s, Barclay James Harvest almost bankrupted themselves by performing with an orchestra, but, several decades on, they’re celebrating last year’s performance with the Slaithwaite Philharmonic, captured on their latest live record, Philharmonic! The Orchestral Concert. John Lees reminisces over the band’s ambitious early years and bassist Craig Fletcher fills Prog in on JLBJH’s upcoming “progtastic” double album.
We've Not Been Expecting You
The unpredictable Frost* are back with Life In The Wires, a bold double concept album that revisits the mood of Milliontown. Bandleader Jem Godfrey tells Prog why he rolled out the solos on a record he describes as the most fun since their dazzling debut.
FAR HORIZONS AND PANORAMIC AMBITIONS
Dutch five-piece Lesoir have been steadily gathering momentum over the last 15 years, and they hope to build on that with their latest release, Push Back The Horizon. Vocalist/ instrumentalist Maartje Meessen and guitarist Ingo Dassen discuss the creation of their sixth album, working with Muse's production team, and their dream of bringing their intricate music to new audiences.
'I mean, what is classical nowadays?'
Tony Banks reflects on his role as a 21st-century classical composer.
There Can Be Only One!
Never meet your heroes, or so the saying goes, but Opeth have had a blast working with Ian Anderson on their latest, The Last Will And Testament. Bandleader Mikael Åkerfeldt and guitarist Fredrik Åkesson discuss the band's proggiest album to date, the return of the growl and why blood isn't always thicker than water.
