This is solo album number 30," explains Steve Hackett. "I suppose if I keep at it there's a possibility of the John Wayne award for 'Most Westerns In The Saddle"!" T Pan out for the prairie wide shot, and it seems extraordinary that Hackett has done so much since leaving Genesis in October 1977. Then again, he's one of prog's great enthusiasts, passion undimmed. "I still so much enjoy music," he affirms. "It's my chosen medium, just as my father's chosen medium was art. Dad painted the world, but I try and make it a film for the ear. And if ever I made a film for the ear, this album is it." Chatting from his New York City hotel room, Hackett is referring to his spectacular latest record The Circus And The Nightwhale. His first 'proper' concept album since 1975's Voyage Of The Acolyte (the story of which starts on p42), it's partly autobiographical, but Hackett also employs a fictional protagonist named Travla (geddit?) to tell a more symbolic tale of a journey towards self-actualisation.
"It's the arc of a life that starts literally," he says. "Then it becomes more metaphorical and we start to embrace story, not just little Stevie Hackett and his guitar exploits." Famed for their stylistic breadth and innovation, "little Stevie Hackett's guitar exploits" have kept us enthralled and entertained for more than half a century now. In recent years, January 2021's Under A Mediterranean Sky (No.2 in the UK Classical Chart) was the mellower, more contemplative yin to Surrender Of Silence's symphonic metal yang, the latter Hackett record arriving just months later, in September 2021.
Ringing the changes and often - is Hackett's way, then, and he has also had the largesse to honour his and his former Genesis bandmates' formidable legacy via the medium of live performance. The Circus And The Nightwhale is something else again, though: a landmark solo album in which he goes the extra mile.
Bu hikaye Prog dergisinin Issue 147 sayısından alınmıştır.
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Bu hikaye Prog dergisinin Issue 147 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
JAKKO M JAKSZYK
King Crimson's vocalist and guitarist shares anecdotes from his revealing new autobiography, discusses his lost career as a footballer and reveals what he said when he met the former king of pop.
A Part & Yet Apart
Sheffield-based 80s proggers Haze have returned with a new studio album, The Water's Edge - their third since their 2013 comeback record, The Last Battle. Prog catches up with threequarters of the band to discuss Haze's DIY ethos, the curse of prog and playing to Cumbrian sheep farmers.
CONTROLLED AIRSPACE
He's about to embark on Dream Theater's 40th Anniversary Tour, but keyboard maestro Jordan Rudess has taken time out to discuss his soaring new solo album, Permission To Fly.
On The Wing
Birds, break-ups, big choruses and the Charlie Chaplin effect can all be found on In Murmuration, the ninth album from Finland's Von Hertzen Brothers. But as they embrace their power pop influences, have the Finns cast off their prog wizard cloaks once and for all? Mikko von Hertzen talks about the Seattle influence, songwriting secrets and sax solos.
Fourth Dimension
The stock of melodic Northumberland-based proggers Stuckfish has been rising since they formed six years ago. Their fourth studio album, Stuckfish IV, represents an important watershed in the band's musical evolution. Co-founders Adrian Fisher and Phil Stuckey tell Prog about the diverse influences that have helped to shape it.
Symphly The Best
In the 70s, Barclay James Harvest almost bankrupted themselves by performing with an orchestra, but, several decades on, they’re celebrating last year’s performance with the Slaithwaite Philharmonic, captured on their latest live record, Philharmonic! The Orchestral Concert. John Lees reminisces over the band’s ambitious early years and bassist Craig Fletcher fills Prog in on JLBJH’s upcoming “progtastic” double album.
We've Not Been Expecting You
The unpredictable Frost* are back with Life In The Wires, a bold double concept album that revisits the mood of Milliontown. Bandleader Jem Godfrey tells Prog why he rolled out the solos on a record he describes as the most fun since their dazzling debut.
FAR HORIZONS AND PANORAMIC AMBITIONS
Dutch five-piece Lesoir have been steadily gathering momentum over the last 15 years, and they hope to build on that with their latest release, Push Back The Horizon. Vocalist/ instrumentalist Maartje Meessen and guitarist Ingo Dassen discuss the creation of their sixth album, working with Muse's production team, and their dream of bringing their intricate music to new audiences.
'I mean, what is classical nowadays?'
Tony Banks reflects on his role as a 21st-century classical composer.
There Can Be Only One!
Never meet your heroes, or so the saying goes, but Opeth have had a blast working with Ian Anderson on their latest, The Last Will And Testament. Bandleader Mikael Åkerfeldt and guitarist Fredrik Åkesson discuss the band's proggiest album to date, the return of the growl and why blood isn't always thicker than water.