Originally from Guyana, Jamaica and Saint Vincent, but calling south London home, Cymande created a lodestar for 70s black Britishness. With producer John Schroeder, they fed their Afrocentric aesthetic through their melting pot of influences: soul, funk, blues-rock, reggae, jazz, calypso to soundtrack their experience with tracks such as The Message, Bra, Dove and Zion I. Largely ignored in the UK, in the US they were playing 30,000 seaters in support of AI Green but after three albums - 1972's Cymande, 1973's Second Time Round and 1974's Promised Heights - they split, with founding members Steve Scipio and Patrick Patterson going on to retrain as lawyers. As time passed, the group's status grew, however, and co-opted by the hip-hop community, they've become a constant source for loops and breaks with everyone from The Fugees to Wu-Tang Clan utilising their work.
Fifty years on from their initial split, their story is finally being told on screen in Tim Mackenzie-Smith's excellent documentary, Getting It Back: The Story Of Cymande. A 2024 tour is also planned, where they will be playing Australia for the first time and new music promised.
"It feels good to be back and appreciated," bassist Steve Scipio tells Record Collector over a joint zoom with guitarist Patrick Patterson. "Especially in the UK. It's like we are finally being heard."
The seeds of the Cymande project were sown by Patterson and Scipio. Patterson and his family came to the UK from Guyana when he was just eight in 1958. Scipio and his family, also from Guyana, arrived in the UK in 1963, aged 13. Living on the same street in Balham, south London, they struck up a friendship, bonding over a shared culture and music. Scipio loved jazz and calypso, Patterson loved Jimi Hendrix and Led Zeppelin and they both lapped up the soul music of the time.
Bu hikaye Record Collector dergisinin February 2024 sayısından alınmıştır.
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Bu hikaye Record Collector dergisinin February 2024 sayısından alınmıştır.
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Paperback Blighters - The books every record collector should read.
The books every record collector should read. Vinyl, you may have heard, has made a big comeback. In 2022, sales of vinyl albums surpassed compact discs (CDs) for the first time in more than three decades in terms of global revenue, racking up more than $1.2bn.
"Beware the Savage Lure/of 1984..." - David Bowie is one of the most venerated musicians ever. But even he had his bad periods.
David Bowie is one of the most venerated musicians ever. But even he had his bad periods. For many, 1984 remains the nadir of his Phil Collins” phase; an artistic/sartonial/tonsorial disaster area. But was it really that awful? Forty years on, Matt Phillips explores Bowie's so-called annus horribilis.
7" Heaven & Hell the Story of the 45 - The 45 turns 75 this year. Matthew Quinlan charts its history, recalling the RPM wars and two belligerent titans who went into battle over the speed of spinning sound
Someone needs to come and empty the bins behind the Lloyds Bank branch in Kingston-upon-Thames. It’s been raining and flattened cardboard slumps next to a flytipped air conditioning unit and a rusting clothes rack. There are two signs at head height on the red brick wall. One warns that you’ll be clamped if you park here; the other, a stainless-steel plaque, marks Nipper’s 100th birthday. Nipper, the dog at the heart of the HMV and RCA Victor logos, was a white terrier with chocolate brown ears, maybe a Jack Russell, Smooth Fox, or Bull Terrier, more likely a mix. This is his final resting place. He was buried under a mulberry tree but, you know, urban sprawl, progress, etc. The plaque was unveiled by the Chairman of HMV Stores on 15 August 1984, while Captain Sensible, Janice Long, and a Nipper doppelganger looked on. Round the corner, at HMV and Our Price, George Michael’s Careless Whisper was flying off the shelves, and every copy turned at 45 RPM.
STARS ON 45s
A BUNCH OF MUSICIANS - 45, COUNT 'EM! RHAPSODISE ABOUT THEIR FAVOURITE SINGLE
THE TORTURED SHOPPER'S DEPARTMENT
John Coleman celebrates the great art of vinyl collecting on the 45th Anniversary of Record Collector and finds out, in an exhausting series of anxietyinducing sprees, how much vinyl you can buy today, ina variety of outlets, with 45.
Young American
A serendipitous collaboration with David Bowie in 1974 kick-started Luther Vandross' recording career. But he still faced an uphill struggle to succeed as a solo artist. Charles Waring talks to some of the singer's most trusted collaborators about his early years and how he battled to be heard....
MOD ALMIGHTY
Steve Ellis began his career as a mod in flower-power clobber as frontman of chart-toppers Love Affair. Quitting in 1970, he worked with The Who's Roger Daltrey then gave up music to become a docker before a near-death experience. Interest in his work was rekindled after hooking up with long-time fan Paul Weller. Lois Wilson hears how his romance with music endures.
ANARCHISTS IN THE UK
EXACTLY 45 YEARS AGO, CRASS, THE ANARCHIST ACTIVIST COLLECTIVE, WERE FINISHING PIVOTAL SECOND ALBUM, STATIONS OF THE CRASS.
The boy with the thorn in his side
David Cassidy was arguably the biggest solo star of the immediate post-Beatles era, yet his fame as well as his boyish good looks and extracurricular excessesovershadow the excellence of his breathily intimate, musically accomplished records. Simon Goddard, RC contributor and author of an acclaimed series of books on David Bowie, hails the work of the tortured pop idol
"I COULD JUST THROW MUD AT THE WALL"
There's little sign of slowing down from the 19-year-old Pete Townshend. Currently on the go: multi-media project The Age Of Anxiety; a dance production of Quadrophenia; and Pete Townshend Live In Concert 1985-2001, a 14-disc boxset of his solo in-concert recordings. Not, he admits, that his every whim and fancy are worth deeper exploration. \"Some of them are good ideas, some of them are pretty dumb,\"
