In January 1979 Karen Carpenter was dismayed at a downturn in record sales. Though the Carpenters’ 1977 album, Passage, was home to their captivating opus Calling Occupants Of Interplanetary Craft, it was deemed patchy and, compared to the statuesque harmonies of early ballads, the band were chasing trends rather than creating their own timeless sound.
Also, her brother Richard was in rehab in Kansas, trying to beat Quaalude addiction, and that sent her into a restless panic. “I was anxious to go back to work,” she said. Even though she had her own mental health issues, struggling with long-term anorexia, Karen kept driving herself forward.
She decided to record her own album – as well as offering something new to the fans, Karen wanted recognition as a solo performer. She noted how best friend Olivia Newton-John had reinvented herself after Grease, making a dramatic transformation from soft country star to a vision in leather and skin-tight Spandex. This sparked Karen’s innate sense of competition – maybe she could explore a new direction?
Bu hikaye Record Collector dergisinin May 2024 sayısından alınmıştır.
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Bu hikaye Record Collector dergisinin May 2024 sayısından alınmıştır.
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WINDOWS ON THE WORLD
At the peak of their powers in the early 70s, by 1975 there were signs that Led Zeppelin were burning out, and their legendary appetite for excess, not to mention stadium-straddling, mythically charged, epically inclined hard rock, might be waning.
HI-FIDELITY?
Running a record shop is a dream for many music aficionados. Steve Burniston investigates how to run a successful one
THE ENGINE ROOM
The unsung heroes who helped forge modern music
UNDER THE RADAR
Artists, bands, and labels meriting more attention
45 SHEFFIELD 45s
Continuing our celebrations of RC's 45th birthday and following on from our look at the best 45s to come out of Manchester, Liverpool, Bristol and Glasgow, we focus on the urbanisation formerly known as Steel City: Sheffield. Close to the (Nether) Edge: Jeremy Allen
Finished Symphonies
In the late 80s, Shelleyan Orphan made rarefied, ravishing, precious (both meanings) baroque pop, all chamber quartet accompaniment and literary reference points, like an 18th century Cocteau Twins.
"BLACK BRITISH PEOPLE HAD SOMETHING TO SHOUT ABOUT"
Breaking new ground for black music in Britain from his teenage years in Matumbi in the early 70s, Dennis Bovell went on to become one of reggae's most highly regarded producers, helping popularise lovers rock. He also played a pivotal role in post-punk's experimental incorporation of dub influences on records like The Slits' Cut and The Pop Group's Y. As new compilation, Sufferer Sounds, reaches back to his early days to compile some of his best early dub plates, Lois Wilson gets the full backstory from one of British music's most enduring forces.
FRENZY REUNITED
Swindon's finest musical export, XTC were also one of the most quietly influential British bands, setting a template for Britpop while pioneering a brand of left-field guitar pop – from herky-jerky invention to consummate craftsmanship – that has spawned many imitators.
Paperback Blighters - The books every record collector should read.
The books every record collector should read. Vinyl, you may have heard, has made a big comeback. In 2022, sales of vinyl albums surpassed compact discs (CDs) for the first time in more than three decades in terms of global revenue, racking up more than $1.2bn.
"Beware the Savage Lure/of 1984..." - David Bowie is one of the most venerated musicians ever. But even he had his bad periods.
David Bowie is one of the most venerated musicians ever. But even he had his bad periods. For many, 1984 remains the nadir of his Phil Collins” phase; an artistic/sartonial/tonsorial disaster area. But was it really that awful? Forty years on, Matt Phillips explores Bowie's so-called annus horribilis.
