The Tony Sheridan and Bill (William) Crompton-penned song Why (Can't You Love Me Again?) is one of two original compositions that Tony Sheridan and The Beatles recorded for Polydor and Bert Kaempfert in Hamburg, Germany, before The Beatles made their proper record debut for Parlophone back home in the UK in October 1962. (The other was the instrumental Cry For A Shadow, written by John Lennon and George Harrison, and recorded by The Beatles without Sheridan.)
What is considerably less known is that Tony Sheridan also made a private demo recording of the same song back in 1958. This recording was long believed to have been lost forever, but against all odds it was rediscovered by chance a few years ago at a car boot sale in Studley, South Warwickshire, England. Of course it reappeared with a scratch or two, as you would expect after decades on the road, but it was in good condition overall and still fully playable.
This article tells the full story for the first time of Sheridan's 1958 recording of Why and the demo record he made at the time.
The article also presents three unique discs containing the Sheridan/Beatles recording of the song from 1961. In addition, the largely unknown story of Sheridan and Crompton's songwriting partnership is told and a second song that may have been written by them - or possibly by Shakespeare (!) - has been unearthed from the archives.
Bu hikaye Record Collector dergisinin January 2023 sayısından alınmıştır.
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Bu hikaye Record Collector dergisinin January 2023 sayısından alınmıştır.
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Paperback Blighters - The books every record collector should read.
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EXACTLY 45 YEARS AGO, CRASS, THE ANARCHIST ACTIVIST COLLECTIVE, WERE FINISHING PIVOTAL SECOND ALBUM, STATIONS OF THE CRASS.
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David Cassidy was arguably the biggest solo star of the immediate post-Beatles era, yet his fame as well as his boyish good looks and extracurricular excessesovershadow the excellence of his breathily intimate, musically accomplished records. Simon Goddard, RC contributor and author of an acclaimed series of books on David Bowie, hails the work of the tortured pop idol
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