Blur's sharp focus
New Zealand Listener|August 12-18 2023 inactivated
Britpop stars deliver great reunion album embracing the doubts of middle age.
Blur's sharp focus

THE BALLAD OF DARREN,
by Blur

First impressions count, and in 1993, when waves of Britpop were breaking, Damon Albarn in a London hotel was impressive. Quick, clever, and speaking in that offhand Mockney many upper middleclass pop aspirants affect, Albarn discussed his clothes - Mod-referencing Fred Perry shirts, Doc Martens - as visual signifiers.

He also jabbed at peers such as Suede's Brett Anderson: "I have no ambiguous sexuality to exploit, nor any demons inside me. I'm quite a happy person." He wasn't in this for pop hits, he was here for a career, and he casually said, "I think I'm articulate enough to carry it off."

Blur embraced observational English songwriting (Syd Barrett, Ray Davies, Lennon-McCartney), but - at the instigation of guitarist Graham Coxon - sidestepped into American indie-rock, their Song 2 of 1997 punching out inUS sport stadia.

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