IF Prime Minister Narendra Modi completes his current term in office, he will exceed Indira Gandhi's term in office by a few months short of a year. During the past decade, Modi has never missed any occasion, never let slip the slightest opportunity, to denigrate her and glorify his government's achievements during its rule over India. Indira Gandhi died in tragic circumstances more than 40 years ago. So for obvious reasons, she cannot defend herself. But that doesn't mean that others can't.
My entry into journalism in 1966 virtually coincided with her becoming Prime Minister, and by sheer coincidence, I was on Safdarjung Road on October 31, 1984, a couple of hundred metres from her home, when a constable erecting a barrier told me-his eyes red with grief and suppressed anger-that Indira Gandhi had been shot.
In the 17 years between 1966 and 1984, I commented upon her government's policies and actions almost every day in editorials and columns in The Times of India. In the past 10 years, I have done the same with the policies of the Modi government in The Wire. Much of my writing in this decade has been devoted to correcting the warped version of our history and religion, and of Indira Gandhi's rule that Modi and his digital army have been projecting. In what follows, I have looked back over those 17 years and tried to assess the validity of Modi's criticisms.
Bu hikaye Outlook dergisinin October 01, 2024 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Giriş Yap
Bu hikaye Outlook dergisinin October 01, 2024 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee