IN her newly-acquired status as great-grandmother, my mother decides to let her hair show its true grey. Until now, my mother has refused to grow old. At 85, when she arrives at this momentous decision, her hair is coloured jet black, a practice she had started in her twenties on discerning the first silver whispers of premature greying. Her secret weapon came packaged in a flimsy paper box the size of a packet of cigarettes, branded as 'Moon and Star hair dye,' and succeeding generations found space in her bathroom closet till the advent of a more glamorous-looking foreign brand sent the moon and its star beyond the horizon.
Like many women of her time, my mother's face is almost unlined through eight decades, and though she has stopped using lipstick, the only makeup she has ever used, she continues colouring her hair more out of habit rather than vanity; even inculcating my father into the ceremony, when a frozen shoulder prevented her from doing it herself. It gives her the dubious privilege of being the only one, among all her many siblings and relatives, who is not sporting a halo of grey.
The grey that has now settled on her 86-year-old head ages her in our eyes. And in her own, too, when she looks into the mirror; for her entire demeanour seems older by years in just a few months.
Perhaps that is why women fight the signs of ageing that time and gravity relentlessly draw on their faces and bodies. They want to be perceived as still being able enough to stay in the thick of things. And perception starts with that first look in the mirror every morning.
The perspective has changed. Earlier, women tried keeping signs of ageing at bay because looking progressively older reminded them of the ticking clock of their mortality. Today, they try to look young for a host of other reasons.
Bu hikaye Outlook dergisinin March 21, 2024 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Giriş Yap
Bu hikaye Outlook dergisinin March 21, 2024 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee