The Man Who Shot Deewaar
Outlook|April 01, 2024
Most of Yash Chopra's iconic films, including Deewaar, Kabhi Kabhie and Silsila were shot by the prolific Kay Gee
Amborish Roychoudhury
The Man Who Shot Deewaar

WHO was the cinematographer who shot Deewaar with that grim, moody and intense tone to match Amitabh Bachchan’s simmering volcano? Who filmed the breathtaking vibrance of Silsila, the poetic intensity of Kabhi Kabhie, and captured the soot and grime of Kaala Patthar? Almost all of Yash Chopra’s most riveting films from Ittefaq to Deewaar to Trishul to Daag credited one man as Director of Photography (DOP): Kay Gee. That’s an odd name. The Internet reveals next to nothing about him. Yash Chopra’s biography contains references to Kay Gee but never wonders what his real name might be. The Yash Raj Films website lists Raju Kaygee, Kay Gee’s son, who is a DOP himself and has been a part of Dilwale Dulhania Le Jaayenge (1995) and Yeh Dillagi (1994), among other films. After knocking on several doors, it was veteran filmmaker Ramesh Talwar who helped me to get in touch with Raju Kaygee. Finally, the name of Yash Chopra’s most prolific cinematographer was revealed: Kamalnath Ganpatrao Korgaonkar, Kay Gee (KG) for short.

Bu hikaye Outlook dergisinin April 01, 2024 sayısından alınmıştır.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.

Bu hikaye Outlook dergisinin April 01, 2024 sayısından alınmıştır.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.

OUTLOOK DERGISINDEN DAHA FAZLA HIKAYETümünü görüntüle
Layers Of Lear
Outlook

Layers Of Lear

Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold

time-read
4 dak  |
December 21, 2024
Loss and Longing
Outlook

Loss and Longing

Memories can be painful, but they also make life more meaningful

time-read
6 dak  |
December 21, 2024
Suprabhatham Sub Judice
Outlook

Suprabhatham Sub Judice

M.S. Subbulakshmi decided the fate of her memorials a long time ago

time-read
8 dak  |
December 21, 2024
Fortress of Desire
Outlook

Fortress of Desire

A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort

time-read
7 dak  |
December 21, 2024
Of Hope and Hopelessness
Outlook

Of Hope and Hopelessness

The body appears as light in Payal Kapadia's film

time-read
3 dak  |
December 21, 2024
Ruptured Lives
Outlook

Ruptured Lives

A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles

time-read
5 dak  |
December 21, 2024
The Big Book
Outlook

The Big Book

The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha

time-read
4 dak  |
December 21, 2024
How to Refuse the Generous Thief
Outlook

How to Refuse the Generous Thief

The poet uses all the available arsenal in English to write the most anti-colonial poetry

time-read
4 dak  |
December 21, 2024
The Freedom Compartment
Outlook

The Freedom Compartment

#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers

time-read
1 min  |
December 21, 2024
Love, Up in the Clouds
Outlook

Love, Up in the Clouds

Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee

time-read
5 dak  |
December 21, 2024