When Reena Mohan joined the Film and Television Institute of India in Pune, there were just five women on the campus. “Oh, you took a boy’s seat; you will get married and leave editing,” she often heard the comment. Mohan never left editing and never stopped learning cinema.
The Bombay film industry did not attract her, but documentary filmmaking did. As part of her final-year project, she made a documentary on an artist in Worli. That work viewed the subject “from a distance”, and was quite unlike her later works.
Bu hikaye THE WEEK India dergisinin September 11, 2022 sayısından alınmıştır.
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Bu hikaye THE WEEK India dergisinin September 11, 2022 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
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