Gripping, until it lets go of itself
The Free Press Journal|September 21, 2024
With a pedigree that includes Bmovie thrills like Piranha 3D and Crawl, director Alexandre Aja tries his hand at something more atmospheric and slow-burning here. The result? It is a film-that is beautifully packaged but ultimately weighed down by its pretensions.
Troy Ribeiro
Gripping, until it lets go of itself

Starring the accomplished, Oscar-winning Halle Berry as a mother desperately trying to protect her sons Nolan and Samuel (Percy Daggs IV and Anthony B. Jenkins) from an unseen evil, the film lays its foundation on time-worn horror tropes. Berry, in full 'gritty survivalist' mode, delivers a performance that sways between harrowing and unhinged, playing a woman haunted by the ghost of intergenerational trauma. The problem, however, is that the audience, much like her character's sons, is left wondering whether the real threat lies outside in the spooky woods—or within her increasingly paranoid mind. Aja aims for a highbrow approach, layering the film with metaphor and ambiguous terror. The setup is undeniably eerie—a secluded cabin, a family bound by fear, and an evil force that may or may not exist.

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The Free Press Journal

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Sports fraternity reacts
The Free Press Journal

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The Free Press Journal

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The Free Press Journal

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Narredu dynasty shines
The Free Press Journal

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The Free Press Journal

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India A win Duleep Trophy
The Free Press Journal

India A win Duleep Trophy

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The Free Press Journal

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Veteran Ravichandran off-spinner Ashwin's mastery over his craft, underlined by a six-wicket haul, proved too immense for Bangladesh as India cantered to a massive 280-run victory in the first Test with five sessions to spare, here on Sunday. Maintaining a clean slate against the Asian neighbours, India now lead the two-match series 1-0.

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1 min  |
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The Free Press Journal

India retain team for 2nd Test in Kanpur

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‘Test cricket is where I belong the most’
The Free Press Journal

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