Unless you're a professional news or sports photographer who needs to send JPG files to a picture desk in real-time, there's no reason for not capturing raw files at the point of shooting. Thanks to their compressed file size, JPEGs are brilliant for sharing and storing, but if you want to take your photography to the next level, you'll need to be able to exploit the full information contained in a raw file.
Unlike JPEG, which actually stands for 'Joint Photographic Experts Group', 'raw' isn't an acronym; it literally means the raw data straight from the camera. This extra data does come at the cost of larger files, and at up to four times the size it's true that raw files will fill a memory card or hard drive faster. But this is a price worth paying for the additional editing possibilities they allow.
Many of us already use raw files in our workflows, but for those who don't there's a great way of getting started: set your camera to capture both JPEG+RAW formats, choosing the highest-quality raw format available, until you become comfortable with shooting solely in raw.
But it's what you do with your raw files that matters most. So we've designed a workflow for Adobe Photoshop (other raw image editing software is available) that's based around the 10 essential editing steps you'll need to get the most from your valuable post-production time...
1 HOW TO CROP AND FIX LENS DEFECTS
Some simple tweaks to get you familiarised and started in ACR
Bu hikaye Digital Camera UK dergisinin December 2022 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Giriş Yap
Bu hikaye Digital Camera UK dergisinin December 2022 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
David duChemin
The Canadian wildlife photographer gives Niall Hampton a flavour of his latest book Light, Space & Time, and his talk at The Photography Show
Scanning ahead...
In a make-or-break year for the camera market, Jon Devo suggests throwing out the playbook
Click, click, gone
Sean McCormack tries ON1 Photo RAW's new Generative Erase
Blur the background
Wendy Evans explains how to change the depth of field in telephoto shots using the Lens Blur tool in Lightroom or Camera Raw
Bring the drama with colour-grading tools
Discover how to use adjustment layers in Affinity Photo to add mood and colour to a lacklustre image, with Wendy Evans
Optimise your phone shots in Photoshop
Smartphones are our most useful cameras, so let's enhance our shots, says James Abbott
Expand your images
Crop outside your frame in Photoshop and discover a clever hack for detailed Al-generated fills with James Paterson
Shot of the month
Benjamin Yavar, winner of the Photography category of 2024's ViewSonic ColorPro Awards
CAMERA CLINIC - Master the art of modern photography
Architecture is a huge subject in photography.
HARNESS THE POWER OF RAW!
Take your captures to the next level with this 10-step tutorial for Adobe Lightroom Classic CC. Dan Mold is your expert guide...