Shooting and curating images from our portfolio is an essential skill for a wide variety of professional applications. As photographers, we are regularly called upon to create collections of shots for others, whether this includes simply friends and family, or even clients and corporate customers. We are expected to understand how images work, both in isolation and together, as part of a wider series. A perfect example of where this can be demonstrated is with a photo essay.
A great photo essay can be rewarding and exciting to put together. We often communicate with images alone in our day-to-day projects, but if the saying that a picture is worth a thousand words is true, then we have tremendous scope for creating an exciting visual story through our work.
While photo essays can be used purely for artistic satisfaction, there are other applications too. They can be a medium for showing off your photographic style across a set of genres or subjects in which you would like to become recognised. They can also demonstrate to potential employers or clients that you can shoot to a brief, maintain a focused theme and deliver a body of work which communicates a pre-visualised narrative – the benchmark of most professional photographers.
As a pro travel photographer, Kav Dadfar knows how to shoot a cohesive series of images. Turn over to discover his tips for getting started on your first photo essay and building a large range of transferable skills for your photography in general.
What is the story?
Bu hikaye Digital Photographer dergisinin Issue 266 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Giriş Yap
Bu hikaye Digital Photographer dergisinin Issue 266 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
Sigma 28-105mm f/2.8 Art
This is anot-so-standard zoom lens, as Matthew Richards discovers on a test drive
AstrHori 120mm f/2.8 Macro 2x
Matthew Richards finds out if double the magnification means couble the value
DxO PhotoLab 8 Elite
DXO's flagship editor gets an upgrade but, asks Rod Lawton, are the results worth it?
Panasonic Lumix GH7
Gareth Bevan thinks a new sensor and AF make this the hybrid camera to beat
STORM CHASE
Paige Vincent on the adrenaline rush, the risks and her passion for shooting in the face of storms
PROTECT YOUR IMAGES FROM AI
Pandora's box is open and, for better or worse, Alis here to stay. Here’s how you can protect your images from being used to train Al models without your permission
CREATE AI COMPOSITES
Serge Ramelli explains how to make AI work for you, by creating otherwise impossible portrait backgrounds
Paul Wilkinson's top 25... PORTRAIT TIPS & TRICKS
Even with so much information out there, taking perfect portraits can be hard work. Pro photographer Paul Wilkinson guides us through this huge genre with his pearls of wisdom
MASTER MINIMALISM
Less is more in the world of minimalism. Rebecca Greig explores what makes minimalist captures work
LITTLE WONDERS
Kim Bunermann meets Louise B to discuss the joys and challenges of working with newborns and freshly baked parents