One Of The Fortunate Few
OffBeat Magazine|Jazz Fest Bible 2018

Delbert McClinton brings everybody together.

John Wirt
One Of The Fortunate Few

A music maverick from Texas, Delbert McClinton defines Americana. He spans blues, country, rhythm and blues, and rock ’n’ roll. In 2017, McClinton realized a longtime ambition with the release of his jazz standards–inspired album, Prick of the Litter. Last year, too, the harmonica-playing singer-songwriter saw the publication his biography, Delbert McClinton: One of the Fortunate Few.

Despite a career in which highs were often muted by lows, McClinton stayed his course. He released hits. He won Grammys. Major artists, including Emmylou Harris, Martina McBride, Vince Gill, the Blues Brothers and Wynonna Judd, cut the songs he wrote.

“Most of my songs are just little short stories defining a moment in time,” McClinton said in advance of his May 5 return to Jazz Fest.

During his childhood in Lubbock and Forth Worth, McClinton played “Red River Valley” and other folk songs on cheap harmonicas. In 1957, everything changed when he heard Jimmy Reed’s harmonica-drenched “Honest I Do” on a car radio. “I lost all control,” McClinton remembered. “I had to do that.”

In the late 1950s and early ’60s, McClinton soaked up all he could from the blues and rhythm and blues stars his band backed up in Fort Worth roadhouses. The acts included Reed, Howlin’ Wolf, Sonny Boy Williamson, Junior Parker, Muddy Waters and Bo Diddley. “I asked questions and made notes,” he said. “I learned the stylish things that I turned into my own.”

هذه القصة مأخوذة من طبعة Jazz Fest Bible 2018 من OffBeat Magazine.

ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.

هذه القصة مأخوذة من طبعة Jazz Fest Bible 2018 من OffBeat Magazine.

ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.

المزيد من القصص من OFFBEAT MAGAZINE مشاهدة الكل
Celebrate While We Incinerate
OffBeat Magazine

Celebrate While We Incinerate

Malevitus has never sounded weirder or more beautiful.

time-read
4 mins  |
March 2020
Anjelika “Jelly” Joseph [talks back]
OffBeat Magazine

Anjelika “Jelly” Joseph [talks back]

As eclectic as the New Orleans music scene is, it’s still hard to imagine an artist having a more diverse career than Anjelika “Jelly” Joseph, who, at the age of 31, sings in three bands that could hardly be more different.

time-read
8 mins  |
February 2020
Indie Rock's 10-Year Anniversary
OffBeat Magazine

Indie Rock's 10-Year Anniversary

New Orleans rock artists have always been a part of the city’s music scene.

time-read
4 mins  |
March 2020
THE ICEMEN COMETH
OffBeat Magazine

THE ICEMEN COMETH

THE ICEMAN SPECIAL MAKES MUSICAL MAGIC WITH A CROSS-GENERATIONAL COLLABORATION AND FAMILY TIES

time-read
10+ mins  |
March 2020
Christone ‘‘Kingfish'' Ingram talks back
OffBeat Magazine

Christone ‘‘Kingfish'' Ingram talks back

A native of Clarksdale, Mississippi, Christone “Kingfish” Ingram comes from the land of Muddy Waters, Robert Johnson, John Lee Hooker and Skip James. Just turned 21, this young man with the blues respects his music’s past even as he shapes its future.

time-read
2 mins  |
March 2020
Mr. Z
OffBeat Magazine

Mr. Z

Matthew Zarba is Upbeat Academy’s unflappable rap principal.

time-read
4 mins  |
March 2020
A Walking Spirit
OffBeat Magazine

A Walking Spirit

Victor Harris, the Spirit of Fi-Yi-Yi, celebrates 55 years of beauty and culture.

time-read
6 mins  |
February 2020
Playing For His Life
OffBeat Magazine

Playing For His Life

Darius Lyndsley is on a mission to turn his art into something more.

time-read
3 mins  |
February 2020
The Supreme Green Fairy
OffBeat Magazine

The Supreme Green Fairy

Tank and the Bangas reign over krewe Bohème.

time-read
10+ mins  |
February 2020
Felipe's Mexican Taqueria
OffBeat Magazine

Felipe's Mexican Taqueria

Everyone has a handful of go-to restaurants they count on for consistently delicious dining experiences.

time-read
3 mins  |
February 2020