Roland Emmerich has decimated the Earth over and over. The master of disaster obliterated major cities in Independence Day, turned the planet into a frozen wasteland in The Day After Tomorrow, and ravaged the globe with seismic catastrophes in 2012. Now he’s back with Moonfall, his latest doomsday outing, that puts the Moon on a direct collision course with Earth.
“From Independence Day to The Day After Tomorrow to 2012, they are all different from each other,” Emmerich tells SFX. “Moonfall is also quite different because it’s 60-70% a space movie. It’s the race to stop the moon from crashing. In that regard, they are all unique… At least in my book.
“Moonfall is a very simple concept,” he continues. “The Moon is falling on the Earth, but it’s not what we think it is. That’s the premise. What you actually learn is the Moon is like a constructed object. They have to fly inside the Moon to solve the problem.
“Because it’s two very big objects nearly touching, two planets, it was very different from what I normally do,” Emmerich adds. “The Moon, since it’s the smaller object, would typically break apart, but then it doesn’t because it’s a built object. When it comes very close, it has all kinds of effects on Earth.”
CLOUDING THE ISSUE
هذه القصة مأخوذة من طبعة February 2022 من SFX.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
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هذه القصة مأخوذة من طبعة February 2022 من SFX.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
Making Alien - Jaws in Space - Forty-five years on from its original release, Alien continues to terrify. We dissect what arguably remains the most chilling instalment in the saga
The seven-strong crew of the commercial mining spacecraft the Nostromo seal their fate after reluctantly responding to a mysterious distress signal on a hostile planet. Here, a face-hugging alien from a derelict ship impregnates and later kills executive officer Kane (John Hurt) after its offspring is birthed onboard. After being unleashed, the fearsome newborn with acid for blood proceeds to dispatch the remainder of the crew.Ridley Scott's much more convoluted prequels have yet to reveal how the knowledge that led to this initial interception was acquired. However, the premise of the original Alien is perfect in its uncomplicated purity.
PURE AND SIMPLE
IN THE FINAL PART OF OUR EXCLUSIVE INTERVIEW, SHOWRUNNER RUSSELL T DAVIES TALKS RELAUNCHING DOCTOR WHO
TO CAP IT ALL OFF
CELEBRATING 40 YEARS OF THE BBC SERIES THE TRIPODS
FRENCH REVOLUTION
THE WALKING DEAD SPIN-OFF SHOWRUNNER DAVID ZABEL ON BEING GIVEN THE TOUGH TASK OF REUNITING DARYL AND CAROL IN FRANCE
SILENT KILLERS
THE DIRECTOR OF HOLLYWOOD'S SPEAK NO EVIL REMAKE ON HORROR, COMEDY AND JAMES MCAVOY
BRING OUT YOUR DEAD
THE GHOST WITH THE MOST RETURNS FINALLY - IN BEETLEJUICE BEETLEJUICE
TEENAGE DREAM
JOE LOCKE HITS THE ROAD RUNNING
MOB RULE THE PENGUIN
GOTHAM'S UP FOR GRABS IN BRUISING NEW CRIME SAGA BUT WHERE IS THE BATMAN?
SEASON OF THE WITCH
AS MARVEL TELEVISION CARVES OUT A NEW PATH FOR ITSELF, WE SPEAK TO CREATOR JAC SCHAEFFER, PLUS A CAST OF STARS LED BY KATHRYN HAHN AND JOE LOCKE, ABOUT THE MAGIC OF WANDAVISION'S SPIN-OFF AGATHA ALL ALONG
Ghouls Allowed
Even silence can't save you at this year's Halloween Horror Nights