What’s in a name? Luc Besson is hoping his latest big budget sci-fiadventure VALERIAN AND THE CITY OF A THOUSAND PLANETS will win the war of the box office despite having the clunkiest title of the year…
2017 is a good year to be a sci-fifan. Between Alien: Covenant, Blade Runner 2049, Guardians of the Galaxy Vol 2, and The Last Jedi at the end of the year, we are guaranteed a strong crop of big budget titles. It seems apt, then, that a key work in the graphic sci-fi canon, Pierre Christin’s and Jean-Claude Mézières’ Valérian and Laureline, finally be brought to the screen. Lifelong V&L fan Luc Besson, director of Leon, Nikita, and The Fifth Element, is helming the graphic novel adaptation that’s become France’s largest cinematic production.
An adaptation of famed cult graphic novel Valérian and Laureline coming out amidst such a sci-fioutpouring is risky. Since its 1967 inception, the twenty-one-volume adventure has had a deep impact on the genre, its stylisms and concepts trickling into some of the genre’s biggest entries, including Star Wars, Dune, and Besson’s ambitious space opera The Fifth Element. It’s a massive undertaking with a well-drafted, lived-in universe to rival Star Wars, not to mention the added befuddlement of a time travelling element. It’s a worry that this film could fall short of its knee-jerk comparisons to the fresh fun of Guardians, or the nostalgia curiosity of Blade Runner, perhaps. There was an initial worry that V&L’s influence could have robbed it of originality, but trailers have stomped most of that out. Besson is pulling no punches and all signs point towards an epic sci-fiadventure to rival the nostalgic power of franchise tie-ins and sequels.
هذه القصة مأخوذة من طبعة July 2017 من Starburst Magazine.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة July 2017 من Starburst Magazine.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
Memoirs Of The Dead
It’s over 40 years since George A. Romero’s seminal zombie sequel DAWN OF THE DEAD first terrorised the planet, forever changing our demeanour when visiting the local shopping mall. On the eve of its latest disinterment - this time in 4K - we spoke to two actors who lived to tell the tale…
STAND BY FOR SHADO
This autumn marks the 50th anniversary of Gerry Anderson’s evolution from producing Supermarionation to live-action TV shows with UFO. We take a fond look back on a complex, mature series that took Century 21 Productions to new creative heights…
SHORT AND TO THE POINT
Short films have become a popular staple of film festivals but SHORT SHARP SHOCKS, the 41st release from BFI Flipside, shows us that the format has been used for much more commercial means previously…
ROAD TO OTAKU
YOUR GATEWAY INTO THE WORLD OF ANIME......WITH YOUR NAVIGATOR, JAMES 'MAGIC PERKINS' PERKINS
INDEPENDENTS DAY - FC RABBATH
Born in Alexandra, Egypt in October 1986, director/writer FRED ‘FC’ RABBATH has been an inventor, author, comedian, journalist, and all around entrepreneur. He’s also hugely well-travelled thanks to his father’s work, which required Fred to live in several countries before he was even 16. Tirelessly prolific, he has written and directed a string of acclaimed short films and a number of features including Scarlet’s Witch (2014), The Hum (2015), The Movie Extra (2015), and especially A Brilliant Monster (2018), which we described as ‘quirky and highly watchable… a psychological horror/thriller that examines the nature of creativity and the obsessions which drive the creative mind’ He’s back later this year with THE WAITING, a highly unusual and unpredictable ghost story that turns slowly into an unusual romantic fable. We spoke to Fred about his background and his approach to his work in the independent movie sector.
HEART and SOUL
Known for re-shaping the landscape of movies as we know it (not just animated ones), Pixar has respectfully raised the bar with delightful, heartfelt aplomb. From the intense opening segment of Up where no matter how lacking in emotion you think you are, tears will still come running, to the joyous Randy Newman-scored Toy Story moments, to the roaring, superhero family dynamics in The Incredibles, there’s an endless array of remarkable Pixar memories. Even in just these highlighted animated spectacles alone, Pixar has imprinted many sequences into our brains that we will never, ever forget. Everyone has a favourite Pixar character, scene, quote, song, and catchphrase that still evokes something nostalgically magical in them. So, what’s yours?
TRUTH BE TOLD
Following on from our TRUTH SEEKERS set-visit last issue, we speak with the driving forces behind Prime Video’s excellent new supernatural comedy series, SIMON PEGG, NICK FROST, and SAMSON KAYO...
Telephemera
ALAN BOON DELVES INTO THE TELEVISION ARCHIVES TO UNEARTH ANOTHER LONG-FORGOTTEN CURIO...
AN EYE FOR AN EYE
The controversial 1978 film I SPIT ON YOUR GRAVE has just been released as part of a 6-disc box set that includes the reboot trilogy, the UK debut of the direct sequel, DÉJÀ VU, and a feature-length documentary GROWING UP WITH I SPIT ON YOUR GRAVE. We managed to speak with actors CAMILLE KEATON and JAMIE BERNADETTE as well as the son of the original director, TERRY ZARCHI to find out more about the legendary revenge films…
telephemera
ALAN BOON DELVES INTO THE TELEVISION ARCHIVES TO UNEARTH ANOTHER LONG-FORGOTTEN CURIO...
