Be it pathbreaking feminist classics or religious tomes, star author Yann Martel tells Shahnaz Siganporia how faith and fiction open the doors to magical thinking.
What made you want to become a writer?
I was 19 years old, drifting through university and I had been reading plays by Eugene O’Neill around the time the movie Reds came out, about the life of the American communist John Reed (who wrote Ten Days That Shook The World, about the October Revolution). In that movie, Reed is played by a young, charismatic Jack Nicholson. There’s a scene in which O’Neill (Nicholson) is in his hotel room, working on a play. Diane Keaton comes in and they have a scene where he talks to her about one of his plays. It was the first time I understood a writer as an actual human being. Until then, I’d seen books as other-worldly creations, magical things that were just there, on shelves. Upon seeing that scene, I asked myself, “I wonder if I can write something?” I did, an absolutely dreadful play. But it got me writing. I fell in love with playing with words and stories.
هذه القصة مأخوذة من طبعة April 2019 من VOGUE India.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
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هذه القصة مأخوذة من طبعة April 2019 من VOGUE India.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
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