Designer Laurie LeBoeuf combined seemingly disparate elements to make this house a work of perfection.
“You’d better fly in for this one.” That’s what Tom and Brigette McMillin’s real estate agent told them back in 2006, as they were trying to relocate back to St. Louis. They’d suffered through months of weary house-hunting in a tight market, so they held their collective breath. But they were not disappointed: The first occupant of the 1939 Frontenac home, a finish carpenter, had lovingly handmade one-of-a-kind millwork and molding. There were stained glass windows, original crystal and brass doorknobs, and French doors opening onto a covered porch. The house was unique, filled with details almost impossible to reproduce in the 21st century.
Fast-forward a decade, and the McMillins had fallen out of love with the house, partly because early–20th-century architecture sometimes felt like an awkward fit for 21st-century lives. They began to wonder: Should we move? “We looked for a year and a half and couldn’t really find anything,” Brigette says. “We just kept coming back to this house—so we decided to make it our own.” Brigette met Laurie LeBoeuf of Castle Design—who, as it turned out, was the perfect designer for the job. “We walked through the house, and I showed her what pieces were important to us to keep,” Brigette says. “They may not be totally on trend right now, but they have special meaning to us. She kept them and incorporated them into a brand-new design for the house.”
هذه القصة مأخوذة من طبعة July/August 2018 من DesignSTL.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
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هذه القصة مأخوذة من طبعة July/August 2018 من DesignSTL.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
Cut from the Same Cloth
“Turkey Tracks” is a 19th-century quiltmaking pattern that has the appearance of little wandering feet. Patterns like the tracks, and their traditions and myths, have been passed down through the generations, from their frontier beginnings to today, where a generation of makers has embraced the material as a means of creating something new. Olivia Jondle is one such designer. Here, she’s taken an early turkey track-pattern quilt, cut it into various shapes, and stitched the pieces together, adding calico and other fabric remnants as needed. The result is a trench coat she calls the Pale Calico Coat. Her designs are for sale at The Rusty Bolt, Jondle’s small-batch fashion company based in St. Louis. —SAMANTHA STEVENSON
Color Block
A background in sculpture trained artist Aly Ytterberg to see objects more fully.
A Modern Story
How a little log cabin went from being a home to a guest house
IN GOOD TIME
With the help of interior designer Robert Idol, a Kirkwood couple creates a home that pays homage to the past, yet feels just right for their modern young family.
Let's Dish
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The Right Move
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Painter and gardener Lauren Knight branches out.
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Chris Mower of White Stable Farms discovered the Japanese style of gardening in Italy. Now, he’s bringing it to St. Louis.
Graphic Mood
Letters, icons, and illustrations that speak in a hand-drawn language
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Audra Noyes, of the Saint Louis Fashion Fund Incubator’s first class, opens an atelier in Ladue.