THE VIRTUOSO TEAMS UP WITH CHAD SMITH AND GLENN HUGHES FOR WHAT HAPPENS NEXT, A NEW ALBUM OOZING WITH FUNKALICIOUS GROOVES AND SOULFUL STYLINGS.
Ever since his recording career began in 1986, the guitar virtuoso has worked fanciful concepts throughout his albums— there was time travel and intergalactic space themes; there were Silver Surfers and gigantic rock robots; and even Satriani himself got caught up in the act, assuming various guises and alien personas, such as Professor Satchafunkilus and Shockwave Supernova. As the conceits piled up, the music became more elaborate, with an emphasis on extended arrangements and shifting time signatures. For Satriani, it was all becoming a bit too much.
“Eventually, you just have to summon the nerve to close one door and open another,” he says. “I think I knew it on the Shockwave Supernova album. It was a definitive coming together of artistic explorations that had lasted a couple of decades, but I did end it with the track ‘Goodbye Supernova.’ At first I didn’t think it was such a heavy statement; it was just a song that encapsulated the narrative of the album. But as we played it on tour every night, it was cathartic. I started to realize that I was breaking away from the past.”
He pauses, then adds thoughtfully, “I wanted to get my brain out of the cosmos and get back to being a guitar player with two feet on the ground. I wasn’t trying to reinvent myself as much as I was trying to return to something that I was—me.”
هذه القصة مأخوذة من طبعة March 2018 من Guitar World.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
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هذه القصة مأخوذة من طبعة March 2018 من Guitar World.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
Kittie - Guitarists Morgan Lander and Tara Mcleod discuss the canadian metal powerhouse's unexpected rebirth — by fire!
Guitarists Morgan Lander and Tara McLeod explain that making new music was “not on their bingo card” when the band regrouped in 2022 for a few festival appearances, preferring to think of the sets as more of a “final lap” than a new beginning. But drilling into old favorites — whether the nu-flavored teenage slams of 1999’s Spit or the more venomously groove-thrashed tunes of their late-’00s period — revealed that despite not having raged together in years, there was something undeniably special about Kittie’s musical connection. “Playing with these girls is like putting on an old pair of pants,” Lander says. “It’s very comfortable — and it looks good too.”
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TC Electronic TC 2290P Dynamic Digital Delay
THE MID EIGHTIES was a golden age for digital delay, thanks to the proliferation of pro- and studio-quality rack effects units from Eventide, Korg, Lexicon, Roland and Yamaha.
Danelectro Doubleneck
WHEN I THINK back to the Seventies, the famously coined “Me” decade, it seems the only surefire way you could leave audiences awestruck was to strap on a doubleneck guitar.
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GEORGE TERRY
It turns out Eric Clapton's Seventies guitarist (and co-writer of \"Lay Down Sally\") also played on ABBA's \"Voulez-Vous.\" Below, he looks back on a decade-plus of E.C., Bee Gees, Diana Ross and more
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PAT TRAVERS
The Canadian-born virtuoso discusses the rise and fall of the Pat Travers Band, witnessing the U.K. punk revolution and the riotous roots of \"Snortin' Whiskey\"
JOE PERRY
The iconic guitarist looks back on Aerosmith in the Seventies, the decade that literally made and temporarily broke apart those Bad Boys from Boston
