Over the years, you’ve indicated your disdain for the Hall & Oates music videos. In fact, there’s a video of you at the 1984 New Music Seminar talking about how you got into this for the music and you like that people in the music video era expect you to be an actor also.
That New Music Seminar – was that the one where I was sitting next to Madonna?
Yes.
You know, I’ll never forget that, because that was a moment. I spoke the truth from my point of view, and you have to remember that I’d been recording for over twelve years, and Madonna was still on her first record. So interestingly enough, I said what I said because I felt that way, and I still feel that way. And she got on me about it like I was a dinosaur and didn’t realize the power of the medium, and she was one hundred percent right, because for her, the video presentation was equally important as her music because that is what made her who she was. To this day, she is still doing the exact same thing. From her point of view, she was right, and from my point of view, I was right. It was very interesting moment, where the beginning of a new generation was colliding with an older one.
And James Brown was on the panel too.
He was?!
She cut him off and said that kids worship the television now. I think to speak to what you have said, Madonna needed the videos, and the videos didn’t give you and Daryl a career, the songs did.
هذه القصة مأخوذة من طبعة Issue #1 من Music Video Time Machine.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة Issue #1 من Music Video Time Machine.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
Bob Dylan
“Subterranean Homesick Blues” Director: D.A. Pennebaker
MUSICAL FRUIT
Director Francis Delia on the most memorable shot of Wall of Voodoo’s “Mexican Radio”
JOHN OATES of Daryl Hall & John Oates
The music videos have never really sat well with you.
Believe in the Beat
From Broadway to Breakin’ and beyond, Godfather of Street Dance the late Adolfo “Shabba-Doo” Quinones discusses the Lockers, Lionel, and his legacy in his final interview from 2020
John Landis: Still a Thriller
Waiting on the worldwide release of Thriller 3D, Landis takes us back to the best – and then bonkers – of the King of Pop, as well as his Beatle moments and his love of B.B. King.