A lot of things have changed since Photoshop first came to dominate the photo editing market. We've all got much larger more complicated photo libraries now and we need software that can organize, search and share these growing collections. There's also a growing interest in more evocative 'looks' that can be applied quickly and simply.
And most of all, we want to be able to change our minds - hence the rise of non-destructive or 'parametric' photoediting, as used by Lightroom, Capture One and a whole host of other photo editors. Often you'll come back to an image and see a better way of adjusting it, or see how to tweak the settings for better results.
There's also a general mistrust amongst many of subscription software. Adobe's Photography Plans are terrific value, but many still prefer to pay for a one-off licence and not have to keep paying monthly fees. The cost of ownership is often not so different, but there's a big difference in how you pay and how long for!
What to look for in image-editing software
Everyone's editing needs are different. Here are some things to think about before buying...
Cataloguing tools
هذه القصة مأخوذة من طبعة March 2022 من PhotoPlus : The Canon Magazine.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
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هذه القصة مأخوذة من طبعة March 2022 من PhotoPlus : The Canon Magazine.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
The Art of Copying Art - James Paterson shows you how to use your Canon gear to capture artwork and paintings the right way with simple camera and lighting skills
Whether you want to capture a painting like the above, digitise old prints or reproduce any kind of canvas, there's real skill in capturing artwork with your camera. Not only do you need the colours to be accurate, you also need to master the spread, angle and quality of the light to minimise glare and show the work at its best.This painting by the artist Bryan Hanlon has a wonderfully subtle colour palette. To reproduce the painting in print and digital form, it needs to be captured in the right way.
Fright night
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