A man and woman meet on a dating app. They see each other for a few months. Then an argument over politics reveals that the man is a convicted felon who served 24 years for murder.
You'd think it were fiction if it wasn't entered in a personal essay competition. And more surprising than the plot twist is that the essay-titled "Killer Punchline: Comedy-tragedy in the Dating World"-is funny.
A lifelong writer, Katie Love's résumé features a good many years as a corporate copywriter and freelance journalist, as well as a screenwriter and memoirist. She has explored the ins and outs of storytelling from every angle and has a feel for when something will reach out and grip an audience with both hands.
So, a year after that ill-fated romance ended and Katie found herself bursting into tears retelling the story to a fellow comedy writer, she thought, Maybe there's something here.
"When I think about my very early writings, from English class in, you know, seventh grade, the hero always won, but wow, did they have a tough time!" Love says, "... so I've always written from a place of comedy-tragedy. Those two balls are always in the air."
She acknowledges that there's a delicate balance between writing a funny essay about a disastrous relationship and honoring the fact that this man is a real person with a real past, no matter how complicated, and that there was a very real victim. She discusses how she overcame her fear of upsetting those she was writing about while she drafted her memoir, Two Tickets to Paradise: From Cult to Comedy.
"You have to be extremely careful about writing from a narrative place that would live inside someone else's heart, someone else's experience, someone else's mindset," she says.
هذه القصة مأخوذة من طبعة May - June 2024 من Writer’s Digest.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
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هذه القصة مأخوذة من طبعة May - June 2024 من Writer’s Digest.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
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Climate change is one of those topics that can throw novelists—and everyone else—into a fearful and cowering silence. When the earth is losing its familiar shapes and consolations, changing drastically and in unpredictable ways beneath our feet, how can we summon our creative resources to engage in the imaginative world-building required to write a novel that takes on these threats in compelling ways? And how to avoid writing fiction that addresses irreversible climate change without letting our prose get too preachy, overly prescriptive, saturated with despair?
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