
In 1991, I was named the editor of the New York Observer; a desperately sleepy Upper East Side weekly broadsheet that I hoped to turn into a must-read. About a half-year in, the paper was where I wanted it to be, it was getting noticed, and so I started sending a couple of dozen complimentary copies to friends, many of them editors in Britain and Europe. I didn't know this at the time, but Si Newhouse, the head of Condé Nast, would take a twice-yearly tour of all his international properties, with stops in Milan, Paris, and London. He was on one of these trips in early 1992, and, as he told me later, everywhere he stopped, he would see copies of the Observer in his editors' inbaskets. Si returned to New York under the misguided impression that the paper was a huge international hit-that everybody was reading it. About three months later, he called me and asked if I would like to get together for a coffee after work. I said of course. This was a Thursday. The meeting was set for Monday.
I fretted all weekend about how I was going to handle whatever he was going to say or offer. Like just about everyone else in New York's various publishing industries, I was dying to be a part of Si's glittering literary empire. On the Monday, I hopped in a cab and headed over to Si's apartment at U.N. Plaza. We settled in a long window seat that overlooked the East River.
Si got right down to it.
He said, "I have two magazines, and I wonder if you'd be interested in either one of them." I braced myself. "Vanity Fair and The New Yorker." My heart skipped a beat, and I could feel the dryness on my lips. I swallowed. At Spy, the magazine I had co-founded before going to the Observer, we'd made an industry out of making fun of Vanity Fair, relentlessly-the writers, the editor, the content, everything. It was constant and withering. But I had read The New Yorker since I was a kid. I explained my very awkward history with Vanity Fair and its staff and contributors.
هذه القصة مأخوذة من طبعة March 24 - April 6, 2025 من New York magazine.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة March 24 - April 6, 2025 من New York magazine.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول

Born This Way
Mother Monster throws her whole self into the pot.

A Death-Defying SEX CAPADE
MICHELLE WILLIAMS stars in a new FX show as a horny stage-four cancer patient on a quest to finally FIGURE OUT WHAT TURNS HER ON.

John Mulaney's Playhouse
On his new live talk show, the comedian can do whatever he wants. What exactly is that?

Brick Is Back
Even prolific builders of glass towers have rediscovered clay’s texture, shadow, and drama.

Married to the Job
A slick thriller makes monogamy look hot.

Fast Car
Nuance and vulnerability sing in a visiting Tennessee Williams adaptation.

FAKE CENTENARIANS, FAULTY DATA, JUNK SCIENCE, AND CONTESTED "BLUE ZONES."
DEMOGRAPHERS AT WAR

My Vanity Fair Hazing
The staff hated me. The advertisers were in revolt. And the tabloids were saying my days were numbered before I had even begun. How on earth would I survive?

This Is Fascism - The U.S. is starting to resemble El Salvador's brutal regime.
When President Nayib Bukele of El Salvador eagerly volun- teered to receive 261 deportees the Trump administration had possibly illegally airlifted from the U.S. in mid-March, he instantly became one of the biggest stars in American conservative politics.

Severance's Biggest Wild Card
Britt Lower had to deepen the war within her character(s) in the show’s second season.