ON DECEMBER 27, 1969, just a few days before the dawn of the new decade, the music world witnessed an extraordinary changing of the guard as Led Zeppelin II reached Number 1 on the Billboard charts, dethroning the Beatles’ final full-on studio effort, Abbey Road.
After hearing Zeppelin vocalist Robert Plant proclaim “I’m gonna give you every inch of my love” on their hit, “Whole Lotta Love,” the Beatles probably realized their days of singing sweet harmonies in an octopus’s garden were numbered. And if the cover of Abbey Road is any evidence, the Fab Four apparently saw no other choice but to immediately vacate their recording studio and march, single file, into the streets of London, never to be heard from again.
Zeppelin would go on to dominate the sound and psyche of the Seventies. Their first four albums created templates for almost everything that was to follow in the next decade, including riff rock (“Whole Lotta Love”), heavy metal (“Immigrant Song”), prog (“Dazed and Confused”), power balladry (“Stairway to Heaven”), arena blooze (“The Lemon Song”), glam (“Black Dog”) and country rock (“Bron-Yr-Aur-Stomp”).
They even paved the way for late-seventies punk and the first Van Halen album. Guitarist Johnny Ramone once confessed that he honed his pioneering punk-rock skills by playing Zeppelin’s “Communication Breakdown” repeatedly. And Edward Van Halen told Guitar World in 2008 that, “I think I got the idea of tapping [while] watching Jimmy Page do his ‘Heartbreaker’ solo back in 1971.”
هذه القصة مأخوذة من طبعة November 2024 من Guitar World.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
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هذه القصة مأخوذة من طبعة November 2024 من Guitar World.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
Kittie - Guitarists Morgan Lander and Tara Mcleod discuss the canadian metal powerhouse's unexpected rebirth — by fire!
Guitarists Morgan Lander and Tara McLeod explain that making new music was “not on their bingo card” when the band regrouped in 2022 for a few festival appearances, preferring to think of the sets as more of a “final lap” than a new beginning. But drilling into old favorites — whether the nu-flavored teenage slams of 1999’s Spit or the more venomously groove-thrashed tunes of their late-’00s period — revealed that despite not having raged together in years, there was something undeniably special about Kittie’s musical connection. “Playing with these girls is like putting on an old pair of pants,” Lander says. “It’s very comfortable — and it looks good too.”
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TC Electronic TC 2290P Dynamic Digital Delay
THE MID EIGHTIES was a golden age for digital delay, thanks to the proliferation of pro- and studio-quality rack effects units from Eventide, Korg, Lexicon, Roland and Yamaha.
Danelectro Doubleneck
WHEN I THINK back to the Seventies, the famously coined “Me” decade, it seems the only surefire way you could leave audiences awestruck was to strap on a doubleneck guitar.
CARLOS ALOMAR
The former David Bowie guitarist talks Young Americans, Station to Station and the Berlin Trilogy, plus recording (and co-writing) \"Fame\" with John Lennon
GEORGE TERRY
It turns out Eric Clapton's Seventies guitarist (and co-writer of \"Lay Down Sally\") also played on ABBA's \"Voulez-Vous.\" Below, he looks back on a decade-plus of E.C., Bee Gees, Diana Ross and more
FRANK MARINO
The Mahogany Rush frontman charts the band's Seventies lows and highs, plus SG's, pickups and how he was definitely not visited by the ghost of Jimi Hendrix
DEWAYNE "BLACKBYRD" MCKNIGHT
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PAT TRAVERS
The Canadian-born virtuoso discusses the rise and fall of the Pat Travers Band, witnessing the U.K. punk revolution and the riotous roots of \"Snortin' Whiskey\"
JOE PERRY
The iconic guitarist looks back on Aerosmith in the Seventies, the decade that literally made and temporarily broke apart those Bad Boys from Boston
