ON DECEMBER 27, 1969, just a few days before the dawn of the new decade, the music world witnessed an extraordinary changing of the guard as Led Zeppelin II reached Number 1 on the Billboard charts, dethroning the Beatles’ final full-on studio effort, Abbey Road.
After hearing Zeppelin vocalist Robert Plant proclaim “I’m gonna give you every inch of my love” on their hit, “Whole Lotta Love,” the Beatles probably realized their days of singing sweet harmonies in an octopus’s garden were numbered. And if the cover of Abbey Road is any evidence, the Fab Four apparently saw no other choice but to immediately vacate their recording studio and march, single file, into the streets of London, never to be heard from again.
Zeppelin would go on to dominate the sound and psyche of the Seventies. Their first four albums created templates for almost everything that was to follow in the next decade, including riff rock (“Whole Lotta Love”), heavy metal (“Immigrant Song”), prog (“Dazed and Confused”), power balladry (“Stairway to Heaven”), arena blooze (“The Lemon Song”), glam (“Black Dog”) and country rock (“Bron-Yr-Aur-Stomp”).
They even paved the way for late-seventies punk and the first Van Halen album. Guitarist Johnny Ramone once confessed that he honed his pioneering punk-rock skills by playing Zeppelin’s “Communication Breakdown” repeatedly. And Edward Van Halen told Guitar World in 2008 that, “I think I got the idea of tapping [while] watching Jimmy Page do his ‘Heartbreaker’ solo back in 1971.”
هذه القصة مأخوذة من طبعة November 2024 من Guitar World.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة November 2024 من Guitar World.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
Caparison Dellinger-JSM V2
WAY BACK IN the dark ages (a.k.a. the Eighties), there were two distinct types of guitar shredders who occupied opposite sides of the spectrum: the hard rock player whose weapon of choice was a super Strat versus the country picker who inevitably opted for a Telecaster.
The Ultimate Guitar Shop
Christie’s Jeff Beck Auction offers a revealing look at numerous iconic instruments from the legendary guitarist’s entire career from the Yardbirds to Johnny Depp
Blown Away
Jeff Beck's landmark Blow by Blow dramatically transformed the future for instrumental electric guitar music. Fifty years later, it still remains an inspirational force
TAKE NO PRISONERS
In this exclusive excerpt from Dreaming Japanese, Marty Friedman's new autobiography (co-written by frequent GW contributor Jon Wiederhorn), the ace guitarist details his auditions with Ozzy, Megadeth and - what's this about Madonna?
MAGNIFICENT
Tearing up the blueprint with an octave G string, Johnny Marr's new seven-string Martin signature model is a distillation of all the British icon's most rebellious opinions on acoustic (and yes, there's also a six-string version)
Xotic XSS Super S-Style electric guitar
AS FUNNY AS this sounds, when a brand sends me a new guitar model outfitted with only one pickup, I say to myself, “That’s bold.” Releasing a spartan guitar like the Xotic XSS Super S-Style seems like such a throwback to a time when a guy with the initials EVH changed the entire guitar-world landscape by playing guitar with a solitary humbucker and making every guitarist around the globe realize that might be all we need.
IF GUITAR GOD IS A WOMAN
With renewed confidence and a slew of new guitar-forward songs, Larkin Poe's Rebecca and Megan Lovell are upping the ante of their blues-rock sound once again on seventh album Bloom
TC Electronic Plethora X1 TonePrint Loader
JUDGING BY THE abundance of effects that the TC Electronic Plethora X1 TonePrint Loader makes available to guitarists, it is obvious that TC knows what it means to have a plethora. Just the same, if having too much of a good thing brings you joy, then TC Electronic's Plethora will bring much delight with its many desirable and stellar-sounding effects - each offering a wealth of options.
1950-69, 1986-PRESENT FENDER ESQUIRE
IT’S PRETTY DAMN cool that the very first commercially produced solidbody electric guitar, the Fender Esquire, can still kick serious butt today; you can’t say that about too many 75-year-olds. Many guitarists often forget that the Esquire came before the Telecaster and that a two-pickup version of the Esquire, which came a few months after the single-pickup version, was essentially the first Broadcaster/Nocaster/ Telecaster. But here I’m just going to focus on the single-pickup version.
Tallon Electric "The Noise"
UNLESS YOU’VE BEEN living under a rock, you’ll know that collaborative pedals between artists and manufacturers are all the rage now.
