I am a single man. I have no children. I have no nephews or nieces either. I don’t own a house or any land, yet. In the name of possession, I have lots of books though, and a few pieces of furniture and driftwood art.
My books are all over my house. In all my books, I have dutifully written at the top corner of the first page, my name, the date of purchase, and the city where I bought the book. This is my way of marking my possession over them. Telling friends, families, and the world in general—please don’t pick them up. They don’t belong anywhere else.
Those who visit my home love to look at my collection of books. But every time they do that, I get nervous and frigid. What if they wish to borrow a few? My experience with borrowing has not been great. Borrowed books have rarely come back home. I am possessive about all my books. I love each one of them equally. There is no hierarchy of good or bad books in my head. My books are probably the only thing I am fiercely possessive about. I may not read all of them but I want to keep them all.
Whenever my close friends come home and wish to borrow, I try to persuade them to spend their own money on buying books. Not everyone is convinced. I guess, some of them just want to annoy me by saying that they want to borrow my books. When nothing works, I offer to buy them the book they want. Parting with my marked books is the last resort. It is painful. It is like taking away a part of me, my memories away from me while I guard them closely.
هذه القصة مأخوذة من طبعة February 21, 2024 من Outlook.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة February 21, 2024 من Outlook.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee