WHENEVER THE GROWING PILE OF PLASTIC waste in front of her door takes up too much space, Asinate Lewabeka has a simple solution. She sets it on fire. She prefers to do so at dawn when the air is still so that the smoke rises in a black column. She says any later in the day, the coastal breeze risks blowing the acrid fumes straight into her home, a modest shack built on the edge of the Vunato dump site in Lautoka, Fiji’s second-largest city.
Lewabeka watches in satisfaction as flames consume the haphazard pile of empty water bottles, travel-size tubes of shampoo, juice cartons, wads of food packaging, a broken plastic fan, and coils of copper wire coated in PVC insulation, reducing it all to carbonized lumps. “Plastic rubbish is the worst kind,” she says. “It is everywhere. It makes our country look so bad. I don’t want it to be a pollutant in our neighborhood, so I collect it and burn it so I can get rid of it.”
It may no longer be an eyesore, but Lewabeka’s problem is far from gone. Burning plastic releases toxic substances that will remain in the environment for hundreds of years, with deleterious impacts on human and ecosystem health. Yet open burning is one of the most common methods for eliminating unwanted waste in a remote island nation besieged by a plastic tide. Less than a third of Fiji’s plastic waste is locally produced. The rest drifts in with ocean currents from as far away as South Africa and Mexico. It must be disposed of, wherever it comes from, and burning is often the simplest option.
هذه القصة مأخوذة من طبعة July 15, 2024 من Time.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة July 15, 2024 من Time.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
Kate Winslet Puts Lee Miller in the Frame - Kate Winslet loves tables. She loves them so much that the Oscar-winning actor collects them.
Kate Winslet loves tables. She loves them so much that the Oscar-winning actor collects them. There is nothing fancy about these antiques, but they enchant her. "It's the knots and the whorls, the shape and feel," she says. "They can feel like old friends, and there is something emotionally charging about an old table that comes with a history-I find imagining what that might be enormous fun."
Alfonso Cuarón Goes Long - The Oscar-winning filmmaker finds pathos in our lonely present in his first TV miniseries
A perceptive, generous-spirited child draws on her imagination when she's subjected to the cruelty of a boarding-school headmistress. A lone astronaut, cradled in a damaged space capsule and having lost any hope of returning to Earth, experiences a hallucination that saves her life. A young household servant, abandoned by the man who's gotten her pregnant, miscarries-though his betrayal helps her define what family truly means to her. Loneliness, so universal it has virtually become trademarked the Human Condition, is everywhere in art, and in life: we tend to fetishize it, or at least dab it with a perfume of sentimentality. But Alfonso Cuarón, now more than 30 years into a wide-ranging career that spans pictures like the Frances Hodgson Burnett adaptation A Little Princess, the space reverie Gravity, and the memoir-as-film drama Roma, is more interested in subtle emotional textures, in gradations of feeling that are always specific to the character at hand yet also joltingly recognizable. And now he brings his big-screen, big-story gifts to a limited series, an adaptation of Renée Knight's 2015 psychological thriller Disclaimer.
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THE NEW APPRENTICE
J.D. Vance's juggling act
Fear in Lebanon, and a new front
FIRST, ON SEPT. 17, THERE WERE exploding pagers.
The hunt for life on a moon of Jupiter begins
NEARLY HALF A BILLION MILES FROM EARTH, A WORLD may be stirring.
