Stage review Shakespeare throbs with strobe lights and glitter
The Guardian|October 26, 2024
Like the pangs of romance or the pull of melodrama, adolescent angst proves timeless. Sam Gold, the director of a newly revived Romeo + Juliet on Broadway, knows this – the production, an admirably diverse, comfortably queer and aggressively millennial version featuring original music from the pop maestro Jack Antonoff, leans hard into the text’s hot-blooded, definitively teenage impulsivity. But he doesn’t seem to trust it.
Adrian Horton
Stage review Shakespeare throbs with strobe lights and glitter

Romeo + Juliet, so styled after the 1996 Baz Luhrmann film with which it shares an ultra-contemporary, lusty ethos, feels overeager to assure today’s youths that the stir-crazy teens of Verona were just like them – stressed and bursting with feeling, as told by a Netflix heartthrob (Heartstopper’s Kit Connor) and a Spielberg leading lady (West Side Story’s Rachel Zegler), both in Broadway debuts.

هذه القصة مأخوذة من طبعة October 26, 2024 من The Guardian.

ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.

هذه القصة مأخوذة من طبعة October 26, 2024 من The Guardian.

ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.

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