HUGHIE O’DONOGHUE’S latest show is inspired by the great painter. NATALIE MILNER asks the Academician how and why he wanted to explore the Dutch master’s legacy
“There’s no difference between painting an apple and painting Vincent van Gogh. You still have to stand there and make a good painting,” says Manchester-born artist Hughie O’Donoghue RA, when asked if his recent reimaginings of the famous artist’s work caused him sleepless nights. He adds, “There was a lot more pressure on Van Gogh than there ever has been on me.”
The Royal Academician’s latest solo show Scorched Earth, which runs until 14 April at London’s Marlborough Fine Art gallery, questions the Dutch painter’s legacy alongside our collective cultural memory of the man. Putting severed ears aside, his new works explore paintings the much-loved artist made during the last two years of his life in Arles and Saint Rémy, France. The large-scale works are echoes of the originals, “I’m not trying to make a copy of Van Gogh,” he says, “I’m trying to make more sense of Hughie O’Donoghue, which is a different thing.”
Diese Geschichte stammt aus der May 2018-Ausgabe von Artists & Illustrators.
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Diese Geschichte stammt aus der May 2018-Ausgabe von Artists & Illustrators.
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Still life IN 3 HOURS
Former BP Portrait Award runner-up FELICIA FORTE guides you through a simple, structured approach to painting alla prima that tackles dark, average and light colours in turn
Movement in composition
Through an analysis of three masterworks, landscape painter and noted author MITCHELL ALBALA shows how you can animate landscape composition with movement
Shane Berkery
The Irish-Japanese artist talks to REBECCA BRADBURY about the innovative concepts and original colour combinations he brings to his figurative oil paintings from his Dublin garden studio
The Working Artist
Something old, something new... Our columnist LAURA BOSWELL has expert advice for balancing fresh ideas with completing half-finished work
Washes AND GLAZES
Art Academy’s ROB PEPPER introduces an in-depth guide to incorporating various techniques into your next masterpiece. Artwork by STAN MILLER, CHRIS ROBINSON and MICHELE ILLING
Hands
LAURA SMITH continues her new four-part series, which encourages you to draw elements of old master paintings, and this month’s focus is on capturing hands
Vincent van Gogh
To celebrate The Courtauld’s forthcoming landmark display of the troubled Dutch master’s self-portraits, STEVE PILL looks at the stories behind 10 of the most dramatic works on display
BRING THE drama
Join international watercolour maestro ALVARO CASTAGNET in London’s West End to paint a dramatic street scene
Serena Rowe
The Scottish painter tells STEVE PILL why time is precious, why emotional responses to colour are useful, and how she finds focus every day with the help of her studio wall
Bill Jacklin
Chatting over Zoom as he recovers from appendicitis, the Royal Academician tells STEVE PILL about classic scrapes in New York and his recent experiments with illustration
