Charles Theonia’s latest book looks nothing like a book. Instead it is a collection of twenty-one tiny glass bottles, each one with a poem inside.
When Theonia, a transgender writer who goes by the pronouns they and them, was beginning hormone replacement therapy, they rubbed a saw-palmetto tincture into their scalp to prevent hair loss; while they sat motionless under the dripping extract, they wrote poems about hormones, community, and existential questions of identity. Saw Palmettos, published by Container in 2018, is a series of tincture vials arranged on a wooden stand, each clear bottle holding a poem printed on thin vellum. White oak timbers were milled, joined, cut to size, smoothed, and polished by hand by to create the stand. Twenty-one shallow wells were drilled into the wood, and each vial is etched with the number of the poem enclosed. Jenni B. Baker and Douglas Luman, the founders of Container, did all the work by hand.
Baker and Luman founded Container, a small press dedicated to creating books that “aren’t, in a quotidian sense, books at all” in February 2017. In addition to Theonia’s bottles, the press’s catalog includes work composed of origami gemstones, Rolodexes, lunch boxes, a doctored Operation game board, and View-Masters with custom reels. When readers insert a reel into the View-Master, instead of seeing a panorama postcard of Saint Louis or Niagara Falls, they find a ghost of a woman floating above a sentence or a poem fragment snared in a collage.
Diese Geschichte stammt aus der January - February 2019-Ausgabe von Poets & Writers Magazine.
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Diese Geschichte stammt aus der January - February 2019-Ausgabe von Poets & Writers Magazine.
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Literary MagNet
When Greg Marshall began writing the essays that would become his memoir, Leg: The Story of a Limb and the Boy Who Grew From It (Abrams Press, June 2023), he wanted to explore growing up in Utah and what he calls \"the oddball occurrences in my oddball family.\" He says, \"I wanted to call the book Long-Term Side Effects of Accutane and pitch it as Six Feet Under meets The Wonder Years.\" But in 2014 he discovered his diagnosis of cerebral palsy, information his family had withheld from him for nearly thirty years, telling him he had \"tight tendons\" in his leg. This revelation shifted the focus of the project, which became an \"investigation into selfhood, uncovering the untold story of my body,\" says Marshall. Irreverent and playful, Leg reckons with disability, illness, queerness, and the process of understanding our families and ourselves.
THE MEUSEUM OF HUMAN HISTORY
READING The Museum of Human History felt like listening to a great harmonic hum. After I finished it I found the hum lingering in my ears. Its echo continued for days.
The Sea Elephants
SHASTRI Akella's poised, elegant debut, The Sea Elephants, is a bildungsroman of a young man who joins a street theater group in India after fleeing his father's violent disapproval, the death of his twin sisters, and his mother's unfathomable grief.
The History of a Difficult Child
MIHRET Sibhat's debut novel begins with God dumping rain on a small Ethiopian town as though. He were mad at somebody.
The Sorrows of Others
AS I read each story in Ada Zhang’s brilliant collection, The Sorrows of Others, within the first few paragraphs— sometimes the first few sentences— I felt I understood the characters intimately and profoundly, such that every choice they made, no matter how radical, ill-advised, or baffling to those around them, seemed inevitable and true to me.
We Are a Haunting
TYRIEK White’s debut novel, We Are a Haunting, strikes me as both a love letter to New York City and a kind of elegy.
RADICAL ATTENTION
IN HER LATEST BOOK, THE LIGHT ROOM: ON ART AND CARE, PUBLISHED BY RIVERHEAD BOOKS IN JULY, KATE ZAMBRENO CELEBRATES THE ETHICAL WORK OF CAREGIVING, THE SMALL JOYS OF ORDINARY LIFE, AND AN ENGAGEMENT WITH THE NATURAL WORLD WITHIN HUMAN SPACES.
The Fine Print
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Blooming how she must
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