This column is the first of what I intend as a new series featuring newer original fiddle tunes (or at least tunes playable on fiddle!). As an avid maker of tunes myself, and in recent years teaching tune-writing at Berklee College of Music, for some time I’ve wanted to do more to celebrate the tunesmith’s art, and to recognize the many contemporary tunesmiths who are continually adding to their respective traditions – especially those less often acknowledged.
Ira Bernstein (a longtime personal friend) is an acclaimed and influential dancer, who was a pivotal figure in the 1980s/’90s percussive dance revival in the old time and wider folk scenes. In legendary solo performances, Ira integrated Appalachian flatfooting styles with varied regional step, clog, and tap dance traditions, interweaving steps learned from older dancers with his own improvised or choreographed movement vocabulary.
Ira also plays fiddle, though primarily in solo or social rather than performance contexts. And, during a fecund decade or so circa the 1990s, Ira composed – or rather, “made,” as he like many tunesmiths prefers to describe the craft – a sprightly batch of original fiddle tunes: most in an old time style, with some waltzes and a few outlier curiosities.
Diese Geschichte stammt aus der Fall 2019-Ausgabe von Fiddler Magazine.
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Diese Geschichte stammt aus der Fall 2019-Ausgabe von Fiddler Magazine.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
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Bluegrass Fiddling
Mac Magaha-Nashville's Dancing Fiddler
The Intrepid Fiddler
Busking in the Digital Age
Isle of Birds
Scottish Fiddling with Pete Clark
Jody's Column
"Broken Down Gambler" as played by The Skillet Lickers
Tunesmiths
A Favorite Tune and its Mysterious Title
On Improvisation
In this On Improvisation column, we'll be discussing Mr. (or Ms.) Pinky, as he (or she) is known to his (or her) friends.
Ingredients of Fiddle Tunes
After several years of teaching and playing at the Festival of American Fiddle Tunes in Port Townsend, Washington, Marc Savoy, accordion maker and player, said he did not want to return.
Glen Harrell - Turn up the Volume
In just a little over 10 years since its formation, Volume Five has become one of the most popular bluegrass bands in the industry. The reason is obvious: distinctive, strong vocals, quality instrumentation, well-chosen bluegrass and gospel songs in its repertoire, and a dedicated leader of the band.
Violin Maker's Corner
Fundamental Friction Facts for Fiddler Folks
Murray Kuun: Non-traditional Violin Maker
Murray Kuun is a woodworker and luthier living in South Africa, where he builds violins and other instruments. In a recent interview, he told us about his path to becoming a maker of instruments with innovative designs.