In my music library I have a copy of The Lighthouse Collection by Paul Stewart Cranford (reviewed by Jody Stecher in Fiddler Magazine, Winter 1996-'97). For over 30 years, Paul worked as a light-housekeeper, a job which provided time and tranquility for his research, composing, and fiddle playing. Since 1979, his company (Cranford Publications) has produced numerous collections of fiddle music in the Cape Breton tradition and republished many of the great classic collections of Scottish fiddle music. What a fabulous achievement.
Little did I think that I would one day have the chance to experience living in a lighthouse first-hand. This year I had the unique opportunity and privilege of spending mid-summer week on the Isle of May in the Firth of Forth, in the company of four of Scotland's top wildlife artists - Liz Myhill, Keith Brockie, Darren Woodhead, and Derek Robertson. (For me it was a case of right place, right time. A vacancy arose and I was available. I didn't need to be asked twice!)
Reached by boat from the picturesque coastal village of Anstruther in the "East Neuk of Fife" (there's a good tune!) this small rock, just over a mile long and less than half a mile wide, lies about five miles off the coast and is the last landfall for any ships heading eastwards into the North Sea.
My first visit to this magical place was on a school outing in 1972, and I have returned on several occasions since, but never in midsummer, at the peak of the breeding season.
The May, as it is often called, is a significant breeding place for seabirds including Arctic Terns, Eiders, Kittiwakes, Fulmars, Guillemots, Razorbills, and Puffins, the latter nicknamed "sea parrots" on account of their colourful bills. (The red, blue, and yellow exterior of the bill is shed after the breeding season.)
Diese Geschichte stammt aus der Fall 2022-Ausgabe von Fiddler Magazine.
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Diese Geschichte stammt aus der Fall 2022-Ausgabe von Fiddler Magazine.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
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Bluegrass Fiddling
Mac Magaha-Nashville's Dancing Fiddler
The Intrepid Fiddler
Busking in the Digital Age
Isle of Birds
Scottish Fiddling with Pete Clark
Jody's Column
"Broken Down Gambler" as played by The Skillet Lickers
Tunesmiths
A Favorite Tune and its Mysterious Title
On Improvisation
In this On Improvisation column, we'll be discussing Mr. (or Ms.) Pinky, as he (or she) is known to his (or her) friends.
Ingredients of Fiddle Tunes
After several years of teaching and playing at the Festival of American Fiddle Tunes in Port Townsend, Washington, Marc Savoy, accordion maker and player, said he did not want to return.
Glen Harrell - Turn up the Volume
In just a little over 10 years since its formation, Volume Five has become one of the most popular bluegrass bands in the industry. The reason is obvious: distinctive, strong vocals, quality instrumentation, well-chosen bluegrass and gospel songs in its repertoire, and a dedicated leader of the band.
Violin Maker's Corner
Fundamental Friction Facts for Fiddler Folks
Murray Kuun: Non-traditional Violin Maker
Murray Kuun is a woodworker and luthier living in South Africa, where he builds violins and other instruments. In a recent interview, he told us about his path to becoming a maker of instruments with innovative designs.