There’s much to be said about the power of shapes, textures and colour, and the wild variety of ways you can make them play together with watercolour. You can control the medium to an extent, but there’ll no doubt be unexpected opportunities and surprises.
I suspect this is why I love it for fantasy art; the material just suits the spirit of the subject matter. This workshop will show how you can take a simple sketch, and transform it into a fully imagined fantasy creature through the magic of watercolour.
You don’t always have to have a sketch to paint in watercolour, though. You can jump right in and draw your concept on the paper from your mind. I work both ways, but love the process of drawing my ideas, then designing, editing and planning a bit. All the big questions about shape, structure and colour are answered in my sketch and colour study, so I’m free to explore techniques while knowing everything is going to (hopefully!) turn out okay.
I’m drawn to the tangible world of traditional materials. It’s a marvel the range of techniques you can get from water, brushes and a small amount of pigment. I look at the work of Holbein and Alan Lee and am awestruck that it, too, is watercolour.
One of my favourite tools for building up intricate layers of washes is a Round Kolinsky sable hairbrush. Nothing compares to its ability to retain water and shape. I’d also recommend using synthetic ones. They both have their own unique strengths, but one doesn’t require the hair of the Siberian weasel. (I mostly use synthetic for this workshop.)
Diese Geschichte stammt aus der July 2020-Ausgabe von ImagineFX.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent ? Anmelden
Diese Geschichte stammt aus der July 2020-Ausgabe von ImagineFX.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
Jan Wessbecher
Dominic Carter talks to the visual artist about creating his own comic and why sketchbooks are great for creative experiments
Kyounghwan Kim
The Korean character concept artist speaks to Dominic Carter about staying open to ideas and the value of drawing regularly
Slawek Fedorczuk
Dominic Carter talks to the concept artist about what keeps him motivated and the advantages of using physical sketchbooks.
Raquel M. Varela
Raquel is inspired by magic, fantasy and fairy tales. She loves designing female characters from distant worlds. \"My greatest reference is Loish's art, thanks to her I learned to draw the movement and fluidity I like to convey.\"
Estrela Lourenço
Estrela is a children's book author and illustrator. Her work is influenced by her background in character animation and storyboards for clients such as Cartoon Network, and she channels comic strips like Calvin and Hobbes.
Daria Widermanska
Daria, also known as Anako, has been drawing for as long as she can remember. Inspired by Disney and classic anime, she loves creating new characters and often finds that a single sketch can spark a unique story.
Allen Douglas
Allen has been painting professionally since 1994 for the publishing and gaming industries. Inspired by folklore, he distorts the size, relationships and environments of animals, and calls his paintings 'unusual wildlife'.
Thaddeus Robeck
Thaddeus has been drawing from the moment he could hold a pencil, but it was the 2020 lockdowns that gave him the time to focus on honing his skills.
DRAW FASCINATING SYMBOLIC ARTWORK
Learn how JULIÁN DE LA MOTA creates a composition from his imagination with a focus on crafting figures, volumetric modelling, and light and shadow
First Impressions
The artist talks about his journey into the mythological world