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As We See It - Not-So-Giant Steps

Stereophile

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September 2017

I’m a thirty-year-old puppy doing what I’m told And I’m told there’s no more coal for the older engines,” 

—ANDY PARTRIDGE,

- Art Dudley

As We See It - Not-So-Giant Steps


 

“Train Running Low on Sould Coal”

“[We] know the truth of this: We would likely live happily ever after with a system from nearly 60 years ago. An idler-drive turntable, some Marantz electronics, and Quad ESL-57s can be very satisfying. The main improvements to be made are not necessarily in the area of musical enjoyment, but rather boring old reliability.”

Charley Hansen of Ayre Acoustics, who made these observations in an e-conversation two years ago, gives himself too little credit: He and many of his colleagues have not only made playback gear that’s more durable than average, they’ve also succeeded in making playback gear that’s safer to use and more portable, and that excels in performance areas where the gear of 60 years ago was often weak: noiselessness, timbral neutrality, the re-creation of 3D space, and realistically wide bandwidth.

Yet much of today’s gear suffers by comparison in reparability—what else can we conclude from junkyards filled with portable music players, midpriced electronics stuffed with now-obsolete solid-state devices, and saddest of all, five-figure CD players. Today’s gear has also taken similarly backward steps in some performance areas where the gear of 60 years ago continues to excel: impact, color, body, drive.

WEITERE GESCHICHTEN VON Stereophile

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ICONS AND INNOVATORS AT DEFINITIVE AUDIO

Definitive Audio in Bellevue, Washington, near Seattle—one of the premier dealerships in the Pacific Northwest—continued its 50th anniversary celebration with an event it called “Icons and Innovators.” Highlighted by showings of the new JBL Everest series and Bowers & Wilkins Nautilus and 801 Abbey Road edition loudspeakers, the event drew a full house to the first of two sessions.

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Touched-up Beatles and Ringo in color

Opinions vary, but like everything connected to The Beatles, charged arguments over Giles Martin's ongoing remastering of, and sonic tinkering with, the band’s hallowed recording catalog are unending.

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3 mins

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Traveling through time and space

In the April 2024 issue of this magazine, a piece by Editor Jim Austin appeared in the “As We See It” space. It was titled “On assessing sonic illusions,” and it has haunted me for more than a year. Jim’s thesis was that a music recording is a “synthetic, whole-cloth creation ... a complete fabrication.” He writes: “Very few recordings correspond to an actual performance. Most are studio concoctions with pieced-together instrumental tracks and artificial ambience that document no sonic event that ever occurred.”

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4 mins

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EgglestonWorks Andra 5

Big loudspeakers are where diligent hi-fi reviewers really earn their pay.

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RECORD REVIEWS

Why award Recording of the Month to a project whose vocal soloists, though thoroughly committed, are in some respects less than ideal?

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Doshi Audio Evolution Stereo

Nick Doshi is cautiously reserved when he talks about his amplifiers, preferring to let the products speak for themselves.

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Sticking with it

David and Alma Wilson must be doing something right. They’ve been married for 50 years, and for 36 years, they’ve owned and operated Accent on Music on Main Street in Mount Kisco, New York, about an hour north of New York City. In a recent, lively Zoom conversation with the Wilsons, it became apparent that staying the course is a viable approach, for marriage and for business.

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4 mins

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Period-style listening

Last night, I sat on a bright yellow velveteen sofa eating red beans and rice while listening for three hours to blues and jazz from rare 78rpm records. I walked out feeling gospel-level raised up, with a head full of dreams and cultural memories.

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CH Precision L10

TWO-CHASSIS LINE PREAMPLIFIER

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16 mins

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Rock don't give a shit, you know

Punk rock was never meant to grow old. For their first three studio efforts, The Replacements epitomized the punk ethos. Sorry Ma, Forgot to Take Out the Trash (1981), the EP Stink (1982), and Hootenanny (1983) are loud, bashy fun.

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3 mins

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