The art of botanical painting is a considerable one. It is not enough to produce an attractive picture: a significant number of those examining it will be very familiar with the original plant and rather a lot of those will carry in their mind’s eye a favourite image of it from one wildflower book or another. Just as we sniff at the performance of a piece of familiar music played a little differently from our favourite rendering, there is a resistance to change in the brain of the viewer. We can’t help making comparisons. Is a flower painting a technical exercise or is it a pretty thing to hang on a wall? It has to be both—and the life of the critic will always be easier than that of the artist.
Emma Tennant, who concerns herself both with accurate depiction and with making lovely things, is not afraid of the keen observer’s searching eye. She has been gardening and painting since she was a child and is as devoted to both now as she was at the beginning. Given that her childhood took place in the years either side of 1950 on the Chatsworth estate, this reveals a single-minded and persevering character who can now reflect with satisfaction on a life’s work concerned with use and beauty.
Botanical artist Emma Tennant at work in her studio at home in the Scottish Borders
Diese Geschichte stammt aus der May 03, 2023-Ausgabe von Country Life UK.
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Save our family farms
IT Tremains to be seen whether the Government will listen to the more than 20,000 farming people who thronged Whitehall in central London on November 19 to protest against changes to inheritance tax that could destroy countless family farms, but the impact of the good-hearted, sombre crowds was immediate and positive.
A very good dog
THE Spanish Pointer (1766–68) by Stubbs, a landmark painting in that it is the artist’s first depiction of a dog, has only been exhibited once in the 250 years since it was painted.
The great astral sneeze
Aurora Borealis, linked to celestial reindeer, firefoxes and assassinations, is one of Nature's most mesmerising, if fickle displays and has made headlines this year. Harry Pearson finds out why
'What a good boy am I'
We think of them as the stuff of childhood, but nursery rhymes such as Little Jack Horner tell tales of decidedly adult carryings-on, discovers Ian Morton
Forever a chorister
The music-and way of living-of the cabaret performer Kit Hesketh-Harvey was rooted in his upbringing as a cathedral chorister, as his sister, Sarah Sands, discovered after his death
Best of British
In this collection of short (5,000-6,000-word) pen portraits, writes the author, 'I wanted to present a number of \"Great British Commanders\" as individuals; not because I am a devotee of the \"great man, or woman, school of history\", but simply because the task is interesting.' It is, and so are Michael Clarke's choices.
Old habits die hard
Once an antique dealer, always an antique dealer, even well into retirement age, as a crop of interesting sales past and future proves
It takes the biscuit
Biscuit tins, with their whimsical shapes and delightful motifs, spark nostalgic memories of grandmother's sweet tea, but they are a remarkably recent invention. Matthew Dennison pays tribute to the ingenious Victorians who devised them
It's always darkest before the dawn
After witnessing a particularly lacklustre and insipid dawn on a leaden November day, John Lewis-Stempel takes solace in the fleeting appearance of a rare black fox and a kestrel in hot pursuit of a pipistrelle bat
Tarrying in the mulberry shade
On a visit to the Gainsborough Museum in Sudbury, Suffolk, in August, I lost my husband for half an hour and began to get nervous. Fortunately, an attendant had spotted him vanishing under the cloak of the old mulberry tree in the garden.
