Dick Comes to Marfa On set with Transparent creator Jill Soloway’s adaptation of a seemingly unadaptable, sexually charged, really quite strange cult novel.
IT'S A WARM DAY in early June on the Marfa, Texas, set of I Love Dick, Jill Soloway’s new pilot for Amazon, and Kevin Bacon, playing an enigmatic academic named Dick, and Kathryn Hahn, playing a failed filmmaker named Chris, are arguing, over dinner, about the quality of movies made by women. Or, more specifically, about the quality of the films that Chris is, or isn’t, making. Chris’s husband, Sylvère (Griffin Dunne), a cultural critic and Holocaust scholar, keeps his eyes on his rabbit. “It’s a question of desire,” Dick says, “not talent, or timing, or circumstance. Pure want. Which you don’t possess.” He continues, punctuating his mans plaining with a conclusion that might have made even Norman Mailer blush: “Most films made by women ultimately aren’t … that … good.” Shocked and wounded, Chris nonetheless stands her ground. “Women make good shit all the time,” she says. “Jane Champion. Chantal Akerman. Uh, Sally Potter.” With the cameras still rolling, Soloway, who has short salt-and-pepper hair and is wearing hot pink Nike high-tops, calmly issues direction: “You’re schooling, Kathryn. Educating. Not angry.” Hahn repeats the line, matching Bacon’s disdain with her own defensive hauteur. Soloway smiles.
Diese Geschichte stammt aus der July 25 - August 7, 2016-Ausgabe von New York magazine.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent ? Anmelden
Diese Geschichte stammt aus der July 25 - August 7, 2016-Ausgabe von New York magazine.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
Drowning in Slop - A thriving underground economy is clogging the internet with AI garbage-and it's only going to get worse.
SLOP started seeping into Neil Clarke's life in late 2022. Something strange was happening at Clarkesworld, the magazine. Clarke had founded in 2006 and built into a pillar of the world of speculative fiction. Submissions were increasing rapidly, but “there was something off about them,” he told me recently. He summarized a typical example: “Usually, it begins with the phrase ‘In the year 2250-something’ and then it goes on to say the Earth’s environment is in collapse and there are only three scientists who can save us. Then it describes them in great detail, each one with its own paragraph. And then—they’ve solved it! You know, it skips a major plot element, and the final scene is a celebration out of the ending of Star Wars.” Clarke said he had received “dozens of this story in various incarnations.”
The City Politic- The Other Eric Adams Scandal The NYPD shot a fare evader, a cop, and two bystanders. He defends it.
On Sunday, September 15, Derell Mickles hopped a turnstile, got asked to leave by cops, then entered the subway again ten minutes later through an emergency exit. This was at the Sutter Avenue L station, out by his mother's house, five stops from the end of the line. Police said they noticed he was holding a folded knife. They followed him up the stairs to the elevated train, asking him 38 times to drop the weapon.
Can the Media Survive?
BIG TECH, Feckless Owners, CORD-CUTTERS, RESTIVE STAFF, Smaller Audiences ... and the Return of PRINT?
Status Update
Hannah Gadsby's fascinatingly untidy tour through life after fame and death.
A Matter of Perspective
A Matter of Perspective Steve McQueen's worst film is still a solid WWII drama.
Creator, Destroyer
A retrospective reveals an architect's vision, optimism, and supreme arrogance.
In Praise of Bad Readers
In a time of war, there is a danger in surveying the world as if it were a novel.
Trust the Kieran Culkin Process
First, he nearly dropped out of Oscar hopeful A Real Pain. Then he convinced Jesse Eisenberg to change the way he directs.
The Funniest Vampires on TV
What We Do in the Shadows is coming to an end. Its idiosyncratic brand of comedy may be too.
The Water-Tower Penthouse
Gigi Loizzo and Angel Molina's apartment on the Grand Concourse in the Bronx looks out on Yankee Stadium.
