There’s nothing quite like the feeling of being connected with nature – out away from people, but still surrounded by life. This photo location didn’t even have roads! It was shot on the Saltee Islands off the coast of Wexford. This shot is from my first trip there with a Canon 20D. It’s a mere 8MP camera – but with new technology, we can easily overcome the low size for larger prints. This is done with Adobe’s Super Resolution technology, which can double the resolution on each axis. This gives a file four times larger. It looks great and works on TIFF and JPEG, as well as raw. For raw files, you get a full DNG with Kelvin white balance, so it acts like you shot a much larger original raw.
With any shot, you sometimes have to make compromises. It was a really overcast morning, so this was photo was taken at ISO 800. Because the lens was at 500mm, a 1/125 sec shutter speed was used to reduce camera shake, despite the underexposure. So let’s fix the exposure, then make it larger.
Enlarge the file
Once you’ve edited the file, press Ctrl/Cmd+S to save the metadata. Use Ctrl/ Cmd+R to show the file on your computer, then open it in Photoshop via Camera Raw. Right-click on the image and choose Enhance. Make sure Super Resolution is turned on. Back in Lightroom, right-click on the folder and choose Synchronize Folder.
Diese Geschichte stammt aus der May 2021-Ausgabe von Digital Camera World.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent ? Anmelden
Diese Geschichte stammt aus der May 2021-Ausgabe von Digital Camera World.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
David duChemin
The Canadian wildlife photographer gives Niall Hampton a flavour of his latest book Light, Space & Time, and his talk at The Photography Show
Scanning ahead...
In a make-or-break year for the camera market, Jon Devo suggests throwing out the playbook
Click, click, gone
Sean McCormack tries ON1 Photo RAW's new Generative Erase
Blur the background
Wendy Evans explains how to change the depth of field in telephoto shots using the Lens Blur tool in Lightroom or Camera Raw
Bring the drama with colour-grading tools
Discover how to use adjustment layers in Affinity Photo to add mood and colour to a lacklustre image, with Wendy Evans
Optimise your phone shots in Photoshop
Smartphones are our most useful cameras, so let's enhance our shots, says James Abbott
Expand your images
Crop outside your frame in Photoshop and discover a clever hack for detailed Al-generated fills with James Paterson
Shot of the month
Benjamin Yavar, winner of the Photography category of 2024's ViewSonic ColorPro Awards
CAMERA CLINIC - Master the art of modern photography
Architecture is a huge subject in photography.
HARNESS THE POWER OF RAW!
Take your captures to the next level with this 10-step tutorial for Adobe Lightroom Classic CC. Dan Mold is your expert guide...