“In ‘The Girl I Left Behind Me’, the narrator tells her story from the grave,” says Alison Cotton, discussing Muriel Spark’s 1957 short story, the inspiration for her new album of the same title. “The story is about a girl who works in a London office, her first job after a long illness. As she leaves work one evening, she is struck by a strong conviction that she has left something important at the office, but can’t work out what it can be...”
The opening side of this beautiful 10” vinyl release was originally commissioned and recorded for Gideon Coe’s BBC 6 Music Show in 2018, to accompany a Christmas reading of the story itself, by actress Bronwen Price. A single, 13-minute suite for melancholy viola captures perfectly the downbeat, rainsoaked ambience of austerity-era London, underpinned by a fluttering murmur of dread that escalates as the narrative speeds towards its chilling conclusion. “As I was playing, I imagined myself as the main character of the story,” continues Alison. “I composed an eerie melody, following the structure of the story, and building up the suspense with my wordless singing...”
Diese Geschichte stammt aus der November 2019-Ausgabe von Fortean Times.
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Diese Geschichte stammt aus der November 2019-Ausgabe von Fortean Times.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
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Lightning Or Legendry?: The Chase Vault Moving Coffin Mystery Revisited
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happy old christmas
you thought it was all over, but due to the orthodox refusal to accept the new fangled gregorian calendar, many people – from margate to memphis – will still be celebrating christmas in january. ted harrison goes in search of some stubborn old traditions...
