In a leafy 1950s neighbourhood of garden bungalows set in symmetrical squares adjoining the Delhi zoo, Priti Pratap Singh's home retains its original whitewashed form. But inside its creaky iron gate is a realm of fantasy, a visionary creation of the unfamiliar inside the familiar. When she first inherited the house as a young mother in the 1970S, she deemed the conventional front lawn "too boring" and set about ripping it apart to transform it into an artful magic wilderness.
A benign granite Nandi sits centre stage, between red sandstone paving and parterres of luxuriant foliage, bisected by a narrow channel with water bubbling from stone spheres. The veranda is shaded by a vine-laden bamboo scaffolding, dense with grape clusters. With the sound and sight of the city thus blotted, one could be anywhere - a corner of Tuscany perhaps or a secluded zenana garden?-except in the heart of a teeming metropolis.
The interiors with their soaring 16-foot-high ceilings effortlessly intensify the theme and panoply of royal Rajasthan, most notably in a dazzling display of antique textiles-an embroidered covering for an elephant's howdah on one wall, a fine block-printed kalamkari on another, and a painted Nathdwara pichhwai above the fireplace. Amid the gleaming brass and silver are elaborate embellishments of Priti's own handiwork: A corner of the living room is converted into a tented baithak (lounge area) in saffron silk framed in carved architraves from haveli doors and, in her bedroom, plain cupboards are covered in crewel-embroidered aqua silk.
Diese Geschichte stammt aus der July - August 2022-Ausgabe von AD Architectural Digest India.
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Diese Geschichte stammt aus der July - August 2022-Ausgabe von AD Architectural Digest India.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
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AS NEW DELHI'S GALLERY ESPACE MARKS ITS 35TH ANNIVERSARY, AD LOOKS AT GALLERIST RENU MODI'S JOURNEY IN ART.
The New Delhi-based Gallery Espace, founded by Renu Modi in 1989, recently marked its 35th anniversary with two special exhibitions.
ROCHELLE PINTO, EDITOR OF VOGUE INDIA, WRITES ABOUT FORCES OF FASHION, WHICH PUT 39 UNIQUE WORKS UNDER ONE ROOF, PIECING TOGETHER A SHORT HISTORY OF FASHION IN INDIA.
If you want to step into the mind of Cristóbal Balenciaga, the game-changing Spanish couturier who died over 50 years ago, all you have to do is beg, bribe or charm your way into 10 Avenue George V in Paris.
AS INVISIBLE COLLECTION COMES TO INDIA, FOUNDERS ISABELLE DUBERNMALLEVAYS AND LILY FROEHLICHER SHARE THEIR SERENDIPITOUS JOURNEY TO THE COUNTRY.
Isabelle Dubern-Mallevays and Lily Froehlicher first found India at their doorstep when Sonam Kapoor Ahuja borrowed a few pieces from their collection for an AD India cover story in 2021.
ANONYMOUS ARTIST PRINCESS PEA SHOWCASES A COLLECTION OF NINE NEW PRINTS AT THE SOHO HOUSE LOUNGE AT ART MUMBAI.
In Princess Pea's new collection of works, poetry, craft and the divine femininity coalesce with grace.
ARTISTS RITU AND SURYA SINGH'S WONDERLAND OF A HOMESTUDIO IN THE PINK CITY URGES YOU TO LOOK AT THE BEAUTY AND NARRATIVE OF WASTE.
Husband-wife artist duo Ritu and Surya Singh, better known as Wolf, live at \"The Farm\", a unique 20-acre madhouse of wonders in the heart of Jaipur.
KENGO KUMA TALKS TO AD ABOUT HIS DESIGN ADDITIONS AS THE CENTRO DE ARTE MODERNA GULBENKIAN IN LISBON OPENS ITS DOORS AGAIN.
Everyone who has lived in Lisbon likely has a fond memory of the Gulbenkian complex.
FROM HIS REVERENCE FOR GANDHI TO HIS LOVE OF DANCE, A BOOK BY DAG OFFERS NEW WAYS TO KNOW MF HUSAIN.
If there was ever an Indian artist who earned immense fame and yet remained unknowable, it is MF Husain.
WHAT WOULD BAWA DO? WONDERS APARNA RAO, COFOUNDER OF PHANTOM HANDS, AS SHE PRODUCES REISSUES OF GEOFFREY BAWA'S HIGHLY CONTEXTUAL FURNITURE.
In mid-December last year, in the freshly restored Kannangara House designed by Geoffrey Bawa in 1959, an exhibition based on the late Sri Lankan master's furniture designs opened.
BANGLADESHI ARTIST AYESHA SULTANA'S RECENT DUBAI EXHIBITION EXPLORED THE DUAL NATURE OF STRENGTH AND FRAGILITY.
Born in Bangladesh in 1984, the US-based Ayesha Sultana explores notions of form, space and materiality.
WE CATCH UP WITH TARIK CURRIMBHOY AT HIS STUDIO IN NEW YORK, AFTER HIS FIRST SOLO SHOW IN INDIA.
Tarik Currimbhoy's sculptures have a pure, meditative quality. A viewer can stand mesmerized for hours watching the elegant, geometric shapes move back and forth.
