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Right HERE, Right NOW
Harper's BAZAAR - US
|April 2025
What does a MOMENT look like? How do you capture the ENERGY of one and what's in the AIR? We asked 16 ARTISTS, WRITERS, and THINKERS to show us the way.
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THE WORLD RIGHT NOW might be best described as inundating. There is too much happening, in too many places all at once, to even attempt to catalog or make sense of it all. It can be disorienting. It can be disconcerting. It can be so overwhelming that it's hard to see much more than a little piece of it.
These glimpses, though, are important. It has been said-over and over-that these are unprecedented times. But history has rarely unfolded in predictable waves of progress and regression, doing and undoing. More often than not, it's our collective response to change that leads us to regroup, pick up the pieces, and rebuild things differently. History is human, part of the story we tell ourselves about who we are, and how we process it (or don't) in real time has bearing on our understanding of that larger narrative.
What's so special about that narrative is that it belongs to us. We are the ones who author it. As James Baldwin wrote in his era-defining 1962 novel Another Country (and, as it happens, in the pages of this very magazine): "We are the time."
For this issue, we invited a group of artists, writers, and creative minds to make an original piece of work or share a work in progress that reflects what they're feeling and thinking about right now. Their modes of expression vary wildly, from painting and poetry to cake making, choreography, TikTok, and-in the case of Fran Lebowitz-talking. But they each, in their own singular way, offer a snapshot of this moment in the world and in their lives.
Diese Geschichte stammt aus der April 2025-Ausgabe von Harper's BAZAAR - US.
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WEITERE GESCHICHTEN VON Harper's BAZAAR - US
Harper's BAZAAR - US
Touch WOOD
NAKASHIMA FURNITURE is more desirable than ever. That is thanks, in part, to MIRA NAKASHIMA, who has quietly carried on her FATHER'S woodworking LEGACY for THREE DECADES, creating HER OWN alongside it.
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Harper's BAZAAR - US
The NEW SOUTH of FRANCE
The FRENCH RIVIERA is always a good idea. VISIT in the OFF-SEASON to soak in its BUZZY CONTEMPORARY-ART SCENE sans tourists.
2 mins
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Harper's BAZAAR - US
RETURN of the FIREBIRD
DANCE THEATRE of HARLEM revives its ICONIC PRODUCTION, including the ORIGINAL SETS designed by the late GEOFFREY HOLDER, lovingly RESTORED by HIS SON
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Harper's BAZAAR - US
Pardon My FRENCH
The OLD HOLLYWOOD HAIR TREND making a very MODERN COMEBACK
4 mins
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Harper's BAZAAR - US
WHEN in ROME
DEREK C. BLASBERG touches down in THE ETERNAL CITY and talks to fashion's PHILOSOPHER KING, luxury maverick BRUNELLO CUCINELLI, about his new film, finding MEANING in the CHAOS of the MOMENT, and why your real LEGACY is the way you LIVE your LIFE
6 mins
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Harper's BAZAAR - US
The STORYTELLERS
A GREAT NOVEL can CAPTURE the ESSENCE of a MOMENT. The books of MARGARET ATWOOD, JHUMPA LAHIRI, JESMYN WARD, JOYCE CAROL OATES, and OTTESSA MOSHFEGH have all helped DEFINE OUR OWN.
3 mins
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Harper's BAZAAR - US
CARMEN DE LAVALLADE, OCTOBER 1964
CARMEN DE LAVALLADE moved through life like she was having a conversation—aware of its rhythms, unafraid of the pauses, always listening for what was left unsaid.
1 mins
March 2026
Harper's BAZAAR - US
SEASON of the SCARF
GENERATIONS of WOMEN have reached for a little SILK SQUARE as an essential ACCESSORY to add POLISH and REFINEMENT. But this spring, the FOULARD gets a little FREAKY.
6 mins
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Harper's BAZAAR - US
ONE-WOMAN Show
As a WRITER and ACTOR, MICHAELA COEL has NEVER SHIED AWAY from CONFRONTING the raw, difficult parts of her ART-or LIFE. NOW, with two new FILMS and a highly anticipated RETURN to TV, she has NEW TRUTHS to MINE and TELL.
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Harper's BAZAAR - US
WHY DON'T YOU...?
What do WOMEN of GREAT WORTH know? That while BEAUTY fades and the FEATHERS on your COUTURE may lose their FLUTTER, ACTIONS leave a LASTING IMPACT. In honor of our LEGACY ISSUE, LYNETTE NYLANDER looks to these ARBITERS of STYLE who did it BETTER than the REST. Take NOTE!
2 mins
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