The year is 2004, and Sienna Miller is stomping the streets of Notting Hill in slouchy boots and a frilly white dress—it could be circa 1960 vintage, or something from Phoebe Philo’s spring 2004 collection for Chloé. A hundred or so miles to the west, Kate Moss is backstage at Glastonbury in tiny shorts, a waistcoat, and a studded vintage belt—a cool and loose style soon described as “new bohemian.” (Miller, in her Roberto Cavalli handkerchief dresses, Ossie Clark tops, and coin belts, co-headlines this bill.) Stateside, Mary-Kate and Ashley Olsen are running around Manhattan wearing sandals and ruffled dresses under T-shirts and hoodies; on the West Coast, Jessica Alba walks the red carpet in a chiffon dress over jeans, with Kate Hudson captured by paparazzi in a breezy white iteration, a fringed suede handbag on her shoulder.
Boho chic, as this phenomenon came to be known, is a lot of things: It’s an undone, laid-back kind of cool, and while some would argue that it’s never exactly gone away (femalehelmed labels from Isabel Marant and Ulla Johnson to Zimmermann have been riffing on this vibe for years), two decades after Sienna and Kate and all the rest, it’s back in full force, led by Chloé designer Chemena Kamali.
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Diese Geschichte stammt aus der Summer 2024-Ausgabe von Vogue US.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
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Nothing Like Her
Billie Eilish was adored by millions before she fully understood who she was. Now, as she sets out on tour without her family for the first time, she is finally getting to know herself.
Coming Up Rosy - The new blush isn't just for the cheek. Coco Mellors feels the flush.
If the eyes are the window to the soul, then our cheeks are the back door. What other part of the body so readily reveals our hidden emotions? Embarrassment, exuberance, delight, desire, all instantly communicated with a rush of blood. It's no wonder that blush has been a mainstay of makeup bags for decades: Ancient Egyptians used ground ochre to heighten their color; Queen Elizabeth I dabbed her cheeks with red dye and mercuric sulfide (which, combined with the vinegar and lead concoction she used to achieve her ivory pallor, is believed to have given her blood poisoning); flappers applied blush in dramatic circles to achieve a doll-like complexion, even adding it to their knees to draw attention to their shorter hemlines
Different Stages
A trio of novels spirits you far away.
The Wizard
Paul Tazewell’s costumes for the film adaptation of Wicked conjure their own kind of magic.
THE SEA, THE SEA
A story of survival on a whaling ship sets sail on Broadway. Robert Sullivan meets the crew behind the rousing folk musical Swept Away.
STAGING A COMEBACK
Harlem's National Black Theatre has been a storied arts institution in need of support. A soaring new home is shaping its future.
Simon Says
Simon Porte Jacquemus, much like his label, resonates with the sunny, breezy French South-but behind the good life, as Nathan Heller discovers, is a laser focus and a shoulder-to-the-wheel work ethic.
MOTHER SUPERIOR
The character of Rose in Gypsy is the acting Everest for many one-name acting legends. This fall, Audra McDonald takes it on.
WALK THIS WAY
THE FASHION FOR OUR FUTURE MARCH HAD A SINGULAR PURPOSE: TO GET OUT THE VOTE.
Written in Stones (and Etched in Metal)
Three years after taking the reins at Bottega Veneta, Matthieu Blazy unveils his first fine jewelry collection.
