GT: Do you have a type of guitar pick that you can’t live without?
ADM: It’s a normal pick shape, it’s extra heavy. It delivers me the right sound for the type of music I play.
GT: If you had to give up all your pedals but three, what would they be, and why?
ADM: I would keep my chorus and a little bit of delay, as I like to have a slight bit of repeat. And also my reverb, so those three.
GT: Do you play another instrument well enough to do so in a band? If so, what, and have you ever done it?
ADM:Percussion. And no, I’ve never done it. But I think I would be a better percussionist than a guitarist.
GT: If a music chart were put in front of you, could you read it?
ADM:Always.
GT: Do guitar cables really make a difference? What make are yours?
ADM:Technical people say they make a difference, but I’ve never heard a difference.
GT: Is there anyone’s playing (past or present) that you’re slightly jealous of?
ADM: I admire Ralph Towner and Egberto Gismonti. They play both guitar and piano at a high level and are great composers. But it’s more admiration than jealousy.
GT: What’s your favourite guitar amplifier, and how do you set it?
Diese Geschichte stammt aus der December 2024-Ausgabe von Guitar Techniques.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent ? Anmelden
Diese Geschichte stammt aus der December 2024-Ausgabe von Guitar Techniques.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
THE MOODY BLUES
This month Stuart Ryan delves into the picking style of this British prog legend whose acoustic guitar has powered many a Moody Blues song.
WAYNE KRANTZ
This issue Nick Mellor provides an insight into this brilliant jazz stylist, focusing on his approach to improvising over static chords.
OPEN G TUNING
Open tunings are great fun and can help create exciting new ideas. Simon Barnard shows how to incorporate open G tuning into your playing.
RODRIGO GOUVEIA
Last month we featured Mateus Asato, and mentioned the importance of the neo-soul style in his playing. Here we turn to his fellow Brazilian, the master of neo-soul fusion.
MARK KNOPFLER
Our topic this month is a master craftsman as both guitar player and songwriter. His style is unique and his influence spreads far and wide.
U2
Martin Cooper checks out the chiming pedal delay tones of this stadium-filling band from Dublin, Ireland, and guitarist The Edge.
LUTHER ALLISON
It’s blues with a touch of soul this month, as David Gerrish explores the dynamic, expressive style of an often overlooked Chicago bluesman.
JOHANN KASPAR MERTZ Capriccio
This month Declan Zapala explores the music of Austria at the turn of the Romantic period with a fiery caprice to level up your fingers and unlock your inner virtuoso.
THE CROSSROADS Michael Landau
John Wheatcroft explores the playing of a session ace _ and blazing blues-rock maestro who graces the top-flight m band of singer-songwriting legend, James Taylor.
VIDEO MASTERCLASS Troy Redfern
This month GT welcomes this slide guitar virtuoso. If you've been wanting to take your slide playing to the next level then this is one's for you. With Jon Bishop.
