STUDIO WHIZZ OF THE YEAR TODD RUNDGREN
Record Collector|October 2023
On pioneering visuals, Meat Loaf, new wave and producing Tom Robinson
Terry Staunton
STUDIO WHIZZ OF THE YEAR TODD RUNDGREN

Tell us about your technological “first” of 1978, the interactive TV concert. 

It wasn’t incredibly sophisticated; the cable station in Columbus, Ohio, wanted to try something new to see how immediate responses from viewers could work. The control boxes they sent out had just three buttons, and we gave the audience a choice of three songs to determine what we’d play next at various points in the show. I guess you could call it an early version of on-demand streaming, and I tried to do something more elaborate in the late 80s, but the obstacle was always major labels not allowing us to put music on servers. They had no economic model to make it worth their while.

Would you agree Hermit Of Mink Hollow saw a return to the concise pop songwriting of Something/Anything?

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Diese Geschichte stammt aus der October 2023-Ausgabe von Record Collector.

Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.

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