Logan has intelligent ideas about power dynamics between artists as well as image vs reality, and age vs celluloid immortality. But the characters are little more than stiff mouthpieces for these thoughts in Jonathan Kent's stilted production.
The gripping moments - when Reeves reveals his darkest fears, and Hedren has a #MeToo confrontation with Hitch are artificially engineered. For a play that's also about truth in art, it feels downright phony throughout, designed to make "the mob in the dark" (as Hitchcock calls audiences) feel smug when they decode an arcane movie reference.
Diese Geschichte stammt aus der February 20, 2024-Ausgabe von Evening Standard.
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Diese Geschichte stammt aus der February 20, 2024-Ausgabe von Evening Standard.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
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