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"I WANTED TO SEE IF THE PLANTS COULD CONTRIBUTE SOMETHING," says Hito Steyerl, sitting in the office of her Berlin gallery. "I feel it's a good idea to take humans out of the equation a bit." Described as a post-internet artist someone who uses the tools of digital technology to tackle broader social issues beyond web culture - Steyerl is credited as the creator of one of the works in Dear Earth: Art and Hope in a Time of Crisis, a group show at London's Hayward Gallery. But in a way the true creative force behind the piece, called Green Screen, isn't her at all. It's not even human.
On the back of a giant LED screen, Steyerl has arranged a vertical garden with ferns and hops. The plants generate bioelectrical signals, which are translated into sounds that have been paired with a rudimentary drum track. The results, which come warbling out of a pair of speakers, are fed into an AI engine that turns them into heavily pixelated animations of budding flowers.
Taking humans out of the equation, making art that is a sort of disappearing act, harks back to what is probably Steyerl's best-known work, the 2013 film How Not to Be Seen, in which she hides behind placards, covers her head with cardboard boxes, and smears herself with face paint, allowing her to blend into a green screen. Meanwhile, a rasping robo-voice offers satirical advice, including "living in a gated community", "being fitted with an invisibility cloak" and "being female and over 50".
Diese Geschichte stammt aus der June 23, 2023-Ausgabe von The Guardian Weekly.
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Diese Geschichte stammt aus der June 23, 2023-Ausgabe von The Guardian Weekly.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
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