With so much ink already spilled, it seems wasteful of your time, the magazine's space, and my time and effort to rehash what has been ably covered and annotated by my colleagues, so I won't describe the history and qualifications of the speaker's deservedly well-known designer, Andrew Jones, or the principles of design and engineering applied to the SourcePoint 10 and SourcePoint 8 in common. What I will do is what high school English teachers so often request: Compare and contrast.
First, the obvious: The SourcePoint 8 was designed to be smaller, utilizing a smaller driver which, in turn, requires a smaller enclosure. It is smaller by 20% in every dimension, at 11.4" x 18" x 12.6" compared to the SourcePoint 10's 14.5" x 22.5" x 16". Consequently, it is much lighter, too, at 27.9lb vs 46.2lb.
However, creating it was not simply a matter of scaling down in a linear fashion, as Jones explained to me over Zoom. With the SourcePoint 10, Jones chose a large-diaphragm woofer not only to extend LF performance but also to minimize cone displacement, which is especially important in a concentric design because the woofer cone serves as a (moving) waveguide: Displacement can intermodulate the tweeter's output. An 8" driver mounted with a standard surround with typical half-roll termination would have a much smaller active surface, requiring even greater displacement. So, Jones designed an 8" driver (as measured by the radius of its mounting holes) with a narrowed corrugated termination, which also serves as mounting support. The result is an 8" driver whose active area is almost as large as the SourcePoint 10's 10" driver and whose displacement will be similar, especially since its range does not extend as low: 47Hz vs 42Hz.
Diese Geschichte stammt aus der September 2023-Ausgabe von Stereophile.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent ? Anmelden
Diese Geschichte stammt aus der September 2023-Ausgabe von Stereophile.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
INSTANTLY ICONIC
AUDIO SALON HOST/ENTREPRENEUR/SYSTEM AND FASHION DESIGNER DEVON TURNBULL'S RECORD-BREAKING ART OF NOISE SHOWING AT SAN FRANCISCO MOMA.
Buckeye PURIFI EIGENTAKT 1ET9040BA1
Back in 2016,' I documented the rise of class-D amps using the early Tripath technology. Used in the Bel Canto eVo 200.2, TriPath cracked open the door to the High End but was never admitted due to a dim and opaque treble.
Moon 891
No less than eight boxes, powered by six after-market power cables, comprise my current reference front-end.'
Clearaudio Signature
The Clearaudio allowed each mix, each sonic artifact, to reveal its unique character.
Gryphon Audio Designs Diablo 333
What's in a name? Denmark-based Gryphon Audio Designs laid down a marker when company founder Flemming Rasmussen chose that name in 1985. Browsing through the current Stereophile Recommended Components list, I only found one other manufacturer that utilizes an animal moniker.
The Rega Naia Turntable. Add Lightness.
To watch as Rega very slowly expands its turntable offerings upmarket requires the patience of a Thomas Pynchon addict waiting for each new tome from the notoriously slow-working and reclusive author.
Phono Preamplifier Seduction
Give me the seduction, give me the pleasure,\" Ron Sutherland was nearly shouting into the phone. \"I want to turn off the analytical mind and just enjoy myself!\"
Record Player Revelations
Like romance or car racing, the act of playing records is tactile by design. Like drifting through curves or making out, spinning vinyl is a learned skill that requires users to touch everything with practiced assurance.
Taking Care of Business
As Jim Austin wrote in this space in the December 2024 issue, following a medical procedure that he had in mid-October, he needed to take several weeks' leave to recuperate. He delegated the magazine's production to Managing Editor Mark Henninger, AVTech Editorial Director Paul Miller, and myself. The three of us worked with copy editor Linda Felaco and longtime art director Jeremy Moyler to produce the issue you hold in your hands.
Estelon X Diamond Mk II
Taste is a funny thing. Love cilantro? Millions swear it tastes like soap.