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Creative Image - January - February 2017
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En este número
This issue of Creative IMAGE Magazine takes the reader through a journey of faith, exploring the nuances of religions practised across the globe. With the help of compelling visuals, this issue brings forth the frankness in Magnum photographer Abbas’ stories from India, simplicity of Yang Yankang’s photo essay on Tibetan Buddhists, surrealism in Melisa Teo’s Let There Be Light, in which she feeds her curiosity through her “third eye”. Photostories by various contributing photographers give a vivid glimpse of hope, fear, faith, and religion. Through social media collaborations with Camarena and India Pictures, and gallery walks, Creative Image throws a limelight on young, talented photographers in this issue. Digging into archives, the issue features the work of Russian photojournalist Maxim Dmitriev on 19 Century pilgrimage and faith.
Creative Image Description:
A 100-page bi-monthly art photography publication, filled with a host of features and opinion articles, on the aesthetics of photography.
Photography is one of the youngest forms of creative expression, and has seen quite a few changes in its relatively short maturing period. The purpose of Creative Image is to pick up photographs and bodies of work that are intuitive, well-explored, eloquent and offer a look inwards, as well as outwards.
The bi-monthly magazine, produced by Raghu Rai, one of India's most renowned photographers and the first Indian to become an associated of the celebrated Magnum Photos, will look at contemporary, emerging artists as well as legendary names. Each issue will be thematic and will largely cover work produced in the Indian subcontinent. There will also be showcases of works by one master photographer from Asia, and one master from the West, along with conceptual, nature, landscape, abstract and experimental photographers from around the world.
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