The New Yorker - November 04, 2024

En este asunto

The Last Mile - How aid workers risk their lives in Gaza.

The Convert - Is J. D. Vance the new face of MAGA?

Take Me Home - Mati Diop and the cinema of impossible returns...

TAKE ME HOME

The filmmaker Mati Diop turns her gaze on plundered art.

10+ mins

THE LAST MILE

The aid workers who risk their lives to bring relief to Gaza.

10+ mins

THE CONVERT

The sudden rise of J. D. Vance has transfixed conservative élites. Is he the future of Trumpism?

10+ mins

THE BIG DEAL

Joe Biden's economic policies are starting to transform America. Will anyone notice?

10+ mins

From the Wilderness

One morning in the rainy season, I went to bed at 6 a.m. after working all night and was on the verge of falling asleep when I was startled by the sound of my father’s voice coming through the air-conditioner next to my bed.

10+ mins

EACH MORTAL THING

What other creatures understand about death.

10+ mins

A PIECE OF HER MIND

Does the Enlightenment’s great female intellect need rescuing?

10+ mins

THE PUPPET MASTERS

Compulsion, complicity, and the art of Bunraku.

6 mins

STAR-CROSSED

“Sunset Blud.” and Romeo Juliet,” on Broadway.

5 mins

SONGS OF WAR

Early on in “Blitz,” Rita Hanway (Saoirse Ronan), a London factory worker, puts her nine-year-old son, George (Elliott Heffernan), aboard a train. Rather, George puts himself aboard; he twists angrily free of his mother’s grasp—“I hate you!” he cries—and tears off down the platform.

6 mins

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The New Yorker is a weekly magazine that features journalism, commentary, criticism, essays, fiction, satire, cartoons, and poetry. It was founded in 1925 and is published by Condé Nast. The magazine is known for its in-depth reporting, its sharp and witty writing, and its iconic cartoons.

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