Years ago, painter Eric Hesse would commute to work within Los Angeles. His home and studio were 5 miles apart, but it would take 30 minutes or more in LA traffic to get to either place.
Certainly other commuters had longer drives, but Hesse was confounded by the small distance he had to go and the time it was taking him to get there. “My way of coping was to stare at the underpasses as I went through them,” he says. “It was me interacting in a very personal way to a very impersonal city.”
Hesse, who has since moved within Los Angeles and now has a studio across the street from his home, has turned the impersonal spaces within one of the largest cities in the world into his next batch of work in Almost Not There, a new show now up at George Billis Gallery in Los Angeles.
“Bound more by theme than motif, the work in this exhibit skitters on the line between presence and absence. Walls, water, brick and metal, atmosphere and mountain, each is set up to pique with strangeness and inevitability,” he says. “Exploring the magic of contradictions, the subjects are simultaneously tenuous and formidable, inviting and frank, and a wry retort to a question. ‘Are we almost there?’ No, we are almost not there.”
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Esta historia es de la edición December 2018 de American Art Collector.
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Guardians of the Temple – Simon Dinnerstein reflects on The Fulbright Triptych 50 years later.
The Palmer Museum of Art at Penn State University exhibits Simon Dinnerstein's The Fulbright Triptych haunts the visual lexicon of 20th century American representational art. Fifty years have passed since Dinnerstein completed the painting in 1974.
A City Perspective
Leslie Gaduzo has always been interIested in art. Since childhood, he has been drawing constantly, from single point perspective drawings at age 10 to complex architectural drawings.
Living Legacy
The Butler Institue hosts Allied Artists of America's 110th Annual Juried Exhibition.
Elegant yet Approachable
The second edition of the RTIA Show presents even more art to explore and expanded special programming.
Figuratively Speaking
New York has always been an epicenter of artists on the edge of excellence, pushing the envelope and finding their voices.
JAMES AYERS: The Importance of Play
Like many artists, James Ayers' work took a turn during the Covid-19 pandemic. Seeing the enjoyment his kids took from playing with paint in his studio and exploring their creativity inspired him.
GINA MINICHINO: Playing with Food
Gina Minichino started her journey in visual arts because of Charles Schulz. \"He was my earliest influence for drawing and the reason I wanted to be a cartoonist,\" she says.
Island Light
The Cuttyhunk Island Artists' Residency is held in a sprawling, 100-year-old house on an island off the southern coast of Massachusetts.
Solitary Forms
Hogan Brown has been working with Arcadia Contemporary for two and half years and is excited to be featured in his first solo show at the gallery. He doesn't take for granted the many talented figurative painters Arcadia represents and is thrilled to be among them.
Living the Dream
Counterintuitively, David Gluck was a painter before taking up tattooing little more than a decade ago. While skin is a completely different substrate and ink a far cry from oil paint, the skills must be transferrable to some degree because there is a wait-time of nine months to get an appointment with him.
