Victor Grasso’s imaginative paintings often sit in a gray area. The imagery can shock or delight and make the viewer ask endless questions. That exploration takes them beyond the first visual impression and allows them to think about how the elements combine to tell wondrous narratives. Leaning toward the imaginative realm in his artwork, Grasso says he paints scenes that are “improbable but not impossible” with the realistic style being the entry point.
Grasso grew up in a New Jersey beach town, so his love for the ocean developed at an early age and it has often inspired his artwork. This includes his newest series of paintings, titled Oceanography, which was recently on view at SOMA Gallery in Cape May, New Jersey, where the artist lives. The show, featuring eight paintings and a number of studies, was designed all at once from ideas in his sketchbook.
“I knew that I wanted to go back to the really heavy focus on sea life, and so I picked some things relative to the area and some stuff that was just big, bold and fun to paint,” he says. “I was really trying to combine natural history with societal portraiture.”
Esta historia es de la edición October - November 2020 de American Art Collector.
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Esta historia es de la edición October - November 2020 de American Art Collector.
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FULL EXPOSURE
Photographer Conor Martin documents the present using photographic methods of the past.
Autumnal Light
The landscapes and nature scenes of painter Jennifer Sowders are irresistibly tactile, filled with varying textures that seem to leap off the canvas.
Art for All
Members of Art Dealers Association of America come together for a philanthropic affair.
Modern Marketplace
Redwood Art Group brings together the San Diego region for another class-act celebration of contemporary artwork.
An Enchanting Evening
Scottsdale Artists’ School knows how to throw an art party.
Timeless Tales
Soft, warm undertones underscore the mood of enchantment that runs through Nom Kinnear King’s paintings.
Next Exit New York
Coming off his series that focused on San Francisco and Los Angeles freeway signs, artist Eric Nash’s sights are now set on New York. Now on view at George Billis Gallery's Manhattan location are seven of Nash's new oil paintings and two drawings that explore the signage of New York City freeways. Although Nash's work is tightly rendered, he doesn’t consider himself a photorealist, but rather someone who utilizes those techniques to express ideas.
Monster Mash
Vampires, witches, ghouls and all things that go bump in the night are the theme of the exhibition Monster Mash, now at Abend Gallery.
Inside/Outside
Those familiar with Geoffrey Johnson's populated by inky figures and trailing shadows that bleed into the wet streets, and architectural elements obscured to varying degrees by the misty atmosphere.
Bold Figures; Bold Color
For Brooklyn based painter J Louis, it’s all about balance, which can mean many different things in a composition, but for Louis, it’s about balancing his female figures among a unique landscape of color.
