The creative culture in Savannah, Georgia, is breathing new life into the Old South.
Founded in 1733, Savannah is the oldest city in Georgia and a designated National Historic Landmark for its unique layout around central city squares. These “green spaces,” shaded by towering oak trees and surrounded by 19th-century architecture, give Savannah a soothing aesthetic unlike anywhere else in the South—or even the country. Trolley cars and horse-drawn carriages wind through the city, which is also refreshingly walkable, as drivers educate visitors on Savannah’s significant history, pointing out sites such as the Owens-Thomas House & Slave Quarters, Telfair Academy or the iconic fountain at Forsyth Park.
But the “Hostess City” holds more than quaint cobblestone streets and hospitable folks. In Savannah, there is a new South to discover—one where cutting edge art and modern innovation mingle with the city’s antebellum architecture and classic charm. Behind Savannah’s quintessential Southern façade is a burgeoning contemporary art scene, discoverable through local artist studios, o‘ -the-path galleries and the city’s newest museums.
Playing the largest role in this cultural renaissance is the Savannah College of Art and Design (SCAD), which propels Savannah forward while remaining deeply connected to the city’s historic roots. More than an art school, SCAD is the “university for creative careers,” o‘ ering areas of study that range from immersive reality and motion media to fashion design, film, painting—and everything in between. But you don’t have to be a student to benefit from SCAD’s programming, which draws some of the nation’s top artists and arts professionals to the city for events, panels, workshops and presentations.
Esta historia es de la edición May 2019 de American Art Collector.
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Esta historia es de la edición May 2019 de American Art Collector.
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Guardians of the Temple – Simon Dinnerstein reflects on The Fulbright Triptych 50 years later.
The Palmer Museum of Art at Penn State University exhibits Simon Dinnerstein's The Fulbright Triptych haunts the visual lexicon of 20th century American representational art. Fifty years have passed since Dinnerstein completed the painting in 1974.
A City Perspective
Leslie Gaduzo has always been interIested in art. Since childhood, he has been drawing constantly, from single point perspective drawings at age 10 to complex architectural drawings.
Living Legacy
The Butler Institue hosts Allied Artists of America's 110th Annual Juried Exhibition.
Elegant yet Approachable
The second edition of the RTIA Show presents even more art to explore and expanded special programming.
Figuratively Speaking
New York has always been an epicenter of artists on the edge of excellence, pushing the envelope and finding their voices.
JAMES AYERS: The Importance of Play
Like many artists, James Ayers' work took a turn during the Covid-19 pandemic. Seeing the enjoyment his kids took from playing with paint in his studio and exploring their creativity inspired him.
GINA MINICHINO: Playing with Food
Gina Minichino started her journey in visual arts because of Charles Schulz. \"He was my earliest influence for drawing and the reason I wanted to be a cartoonist,\" she says.
Island Light
The Cuttyhunk Island Artists' Residency is held in a sprawling, 100-year-old house on an island off the southern coast of Massachusetts.
Solitary Forms
Hogan Brown has been working with Arcadia Contemporary for two and half years and is excited to be featured in his first solo show at the gallery. He doesn't take for granted the many talented figurative painters Arcadia represents and is thrilled to be among them.
Living the Dream
Counterintuitively, David Gluck was a painter before taking up tattooing little more than a decade ago. While skin is a completely different substrate and ink a far cry from oil paint, the skills must be transferrable to some degree because there is a wait-time of nine months to get an appointment with him.